Camera Buying Mistakes

Derek Smith • 19 April 2022
Choosing the right camera is such a hard job, harder even, I would contend, than choosing a wife, husband, or significant life partner. You’ve got size, weight, and features to consider (that’s the camera!!), as well as price, and lens selection.

For me buying the Sony A7ii full frame camera was a huge mistake, I had owned Sony APS-C cameras for a number of years, starting with the Sony NEX 3 in 2014, upgrading through the Sony A6000, until the Sony A6300, I knew Sony, the tortuous menu system, and the flawed ergonomics, and I had several Sony lenses, including one designed for the full frame Sony cameras, which was the Sony FE 70-300mm OSS f/4.5 – 5.6. So, it made good sense to upgrade to the full frame Sony A7ii, it was being advertised at the time at a “cashback” price of £800, (you have to pay full price up front, then claim the £200 cashback after a month). The camera was weatherproof, had “in body image stabilisation”, and better controls than the Sony A6300, what could go wrong? 

I hated the Sony A7ii camera from the very beginning, I had problems with the Sony website, and didn’t receive the promised £200 cashback. The lens mount was so close to the front hand grip that my fingers were tight against some lenses, the front control wheel was placed under the on / off switch and I invariably ended up turning the camera off rather than making any adjustments. I bought the Sony FE 85mm f/1.8 lens to use for portraits, and wasn’t happy with that lens either, the depth of field was so shallow, almost razor thin, at f/1.8 and while YouTube reviewers where almost shouting from the rooftops “get the 85mm, and use it wide open”, I hated using the lens wide open, it was also a big heavy lens at 371g. I had also kept the Sony A6300 as a backup camera, and the trouble with that plan was that I was using full frame lenses with an APS-C sensor camera, and my 35mm full frame lens suddenly became an effective 50mm lens on the A6300, and the 70-300mm full frame lens, became a 105-450mm lens. The mental agility of having to calculate effective focal lengths when changing lenses between cameras became very wearing.

I sold all the Sony cameras, and lenses, getting a good price on MPB, but what to buy next?

Looking at the options, the choice came down to the Fuji X-T3, or the Olympus OM-D E-M5 iii. I had owned an Olympus camera before, and had been very pleased with the handling, and image quality. Olympus had the 5 axis “in body image stabilisation”, and the lenses that I wanted, the 12-40mm f/2.8, and the 40-150mm f/2.8 both constant aperture weatherproof lenses. The Fuji didn’t have the “in body stabilisation”, the lens choice of 3 approximately effective 24-70mm focal length lenses was confusing, and the long focal length zoom lens of 100-400mm f/4.5-5.6, was a hulking great monster of a lens at 1436g. The Olympus was a known camera system, the Fuji was a leap in the dark, so I chose to buy something I knew.

I’ve been extremely pleased with my Olympus camera system, and taken some great photos with the camera, however as my photography skills grew, I desperately wanted a joystick to move the focal point quickly onto the subject for more accuracy, and I needed a camera with two SD card slots, one for RAW, and the other for the JPEG images, to speed up my workflow.

In the intervening two years that I had owned the Olympus, Fuji had introduced the X-T4 camera with “in body image stabilisation”, but more importantly the lens selection had markedly improved, with the new 16-80mm f/4 zoom (24-120mm full frame equivalent), and the 70-300mm f/4-5.6 zoom (105-450mm full frame equivalent). So, selling the Olympus gear, and buying the second hand Fuji X-T3, with dual SD cards, and joystick, the second hand 16-80mm f/4 lens, and a brand new 70-300mm f/4-5.6 lens, became an easier choice to make. It’s been a steep learning curve with the Fuji, but I’m comfortable with the camera now, and getting some great images.

It’s an interesting exercise to compare the weight and size of the cameras, and lenses:     

Olympus 40-150mm f/2.8 Pro 880g 79mm x 160mm 

Sony FE 70-300mm f/4.5 – 5.6 OSS 854g 84mm x 143.5mm

Fuji XF 70-300mm OIS WR f/4.0 – 5.6 580g 75mm x 133mm 



Sony Alpha A7ii 599g 127 x 96 x 60 mm

Fuji X-T3 539g 133 x 93 x 59 mm

Olympus OM-D E-M5iii 414g 125 x 85 x 50 mm

Sony Alpha A6300 404g 120 x 67 x 49 mm

The lightest camera setup is the Fuji X-T3 at 1119g with the 70-300mm lens (maximum full frame equivalent focal length of 450mm), the Fuji lens is designed to cover the smaller APS-C sensor, and can be smaller than an equivalent full frame lens. The full frame Sony A7ii camera is the heaviest with the Sony 70-300mm. The heaviest lens is the Olympus 40-150mm, constant f/2.8 aperture throughout the zoom range, constructed of metal, and has a full frame equivalent focal length of 80-300mm.

So was it a mistake to buy Olympus? No, I don’t believe so, Fuji did not have the lenses I needed at the time, and I’ve learned a lot about photography in these last few years. I had a lot of pleasure using the Olympus cameras, and now I’m enjoying the Fuji camera, with the associated lenses.


Louth Photographic Society

by Graham Harrison 26 June 2025
We had a really good turn out for the visit to Rimac last night and the weather was fantastic for taking wildlife photographs. There was plenty to photograph from moths and butterflies to many different birds, there were also plenty of wildflowers as well. I think we all took plenty of photographs so the competitions should have plenty of entries this year. We spent just over two hours photographing and walking round then some of us visited the Prussian Queen in Saltfleetby, where we were made to feel welcome and quenched our thirsts.
by Derek Smith 25 June 2025
Paul Malley, a gentle, genial, giant of a man sadly passed away recently after a long illness. Paul had been a longtime member of the Louth Photographic Society, and had served in several roles, Treasurer at one time, and latterly as a stalwart active member on the Committee. Always ready with helpful knowledge, and advice, Paul was calm in a crisis, and insightful, able to understand both sides of a discussion, and suggest a compromise. An outstanding photographer, dedicated to his craft, he produced some excellent images, some of which are shared here. Rest in peace my friend, you will be much missed by Pam, family, friends, and members of the Louth Photographic Society.
by Graham Harrison 22 June 2025
Good Morning All Last week at the club we held our monthly print competition, there was a good entry of just over 40 prints and of a very good standard. Tony Gaskins won the subject, Britain's Coastline with an excellent photograph of Whitby and Dave Tuner was 1st in the Open with an excellent misty morning photograph at Buttermere. Thank you to all that entered, and all the results are on our website. This week, Wednesday 25th June, we are going to Rimac near Saltfleet, I have heard there is quite a bit of wildlife there at the moment, let's hope we are lucky. If we meet in the car park at 6.30pm and set of as a group though we usually get stretched out as we go. I have attached a map, but if you are on a corner and there is a track going towards the sea at the area shown on the map you should be ok. Regards Graham
by Derek Smith 19 June 2025
Our print competition with the categories of “Britain's Coastline”, and “Open” was held last night. Gail Wrigg, the LPA President, was the judge for the evening, and there were some stunning prints submitted into the competition to review. The images were judged fairly, majoring on the technical imperfections of the images, depth of focus, composition, elements within an image that could have been removed, and improved cropping of an image. Gail always connects with the audience with her critique of the submitted competition entries. It's surprising how the print medium looks, and feels so different from an image viewed on a screen, just very alive, and tactile. The competition results have been updated on the Competition page of our website.
by Graham Harrison 16 June 2025
Good Morning All, I visited Welton-Le-Wold nature reserve the other evening, a bit like a small Red Hill, there were a lot more wildflowers there than Red Hill but again not many insects, it may be better in the daytime? It is only about two miles from Louth as well. Last week was the LPA battle at Scunthorpe, only Dave Turner went taking our prints with him, not a good result for Louth, 1st Grimsby 258, 2nd Scunthorpe 245 and 3rd Louth 236, quite a difference from the first round but that's LPA battles. The next round is at Cleethorpes, it would be good if a few more members could attend. It will soon be our annual dinner at the Splash, any more deposits this week please and menu choices by midnight Wednesday please, otherwise you may go hungry. This week, Wednesday 18th June, we hold our monthly print competition, with the categories of “Britain's Coastline” and “Open” there has been a good entry so should be a good night. Regards Graham
by Graham Harrison 8 June 2025
Good Morning All Last week we visited Red Hill nature reserve, a very good turnout, but the wildlife didn't seem to know we were going, it's quite worrying though the lack of any butterflies or any other insects of any sorts. Hopefully we all got some photographs before we visited the Three horseshoes at Goulceby. I did photograph an unusual caterpillar but couldn't manage to identify it? This week we are away in the LPA Battles at Scunthorpe, for anyone planning to attend it is at the Pavilion, Bramley Crescent, Bottesford DN16 35N this Wednesday 11th at 7.30pm. I don't think I will make it due to work but hopefully some members will attend. There will be no meeting at Louth this week as members will be a way at Scunthorpe. The following week, Wednesday 18th June, we are holding the monthly print competition, if you can email your titles to Dave Turner by midnight Wednesday 11th if you have not already and bring your prints in on the night by 7 pm as no one is there to collect them this week. There are still a few deposits for the meal to come in yet, but in two week's time will be ok. If you can send your menu choices to me if you are attending by midnight 0n the 18th June please, as they need typing out and sending to the Splash two weeks in advance. Well, I think that's all, Regards Graham
by Derek Smith 6 June 2025
When you use a digital camera for the first time it’s tempting to shoot in fully “Auto” mode, however if you continue using this mode you will be missing out on the full functionality, and capability of your camera. What I would suggest is to use one of the other modes, most photographers use the semi-automatic “Aperture Priority”, denoted by the A or Av on the mode dial, this is not as daunting as it may at first sound. There are 3 variables to obtain a properly exposed photograph, aperture, the lens opening letting the light onto the camera sensor, shutter speed, a slow 1/60 sec shutter speed allows a greater amount of light to reach the sensor than 1/250 second, and ISO, which adjusts the sensitivity of the sensor to light. Using “Aperture Priority” mode (A or Av) allows the photographer to take control over the camera settings for improved photos, and greater creative control. Switch to "Aperture Priority" mode and use the dial, or touchscreen to vary the lens opening size, displayed as an "F" number in the viewfinder or rear screen. A lower F number allows a greater amount of light to reach the sensor, reducing depth of field. A higher F number increases depth of field. To put this into perspective, I like to think of the aperture values in terms of bands: – f/1.2 – f/4 for portraits, or subject isolation, with a narrow “depth of field” f/4 – f/7.1 for wildlife, and architecture photos f/7.1 – f/16 produces great landscape images with a large “depth of field” ensuring the photo is sharp from the foreground to the distant background. These aperture values are not meant to be arbitrary, but rather to provide some guidance, the “depth of field” will vary depending on the focal length of the lens, the size of the sensor, and the distance of the photographer to the subject. The ISO value can be set to Auto ISO, or fixed at a set value, if the shutter speed drops below 1/60, the image may become “soft” the ISO can be increased to raise the shutter speed, thus ensuring a sharper image. The two images of Filey crazy golf course demonstrate the advantage of choosing an “Aperture Priority” over “Auto” mode. With the camera in “Auto” mode an aperture of f/4.5 was chosen by the camera, and the foreground rock becomes soft. Selecting “Aperture Priority”, and choosing f/8, the image is now sharp from the foreground to the background.
by Derek Smith 5 June 2025
At Red Hill nature reserve last night members had the opportunity to practice their macro skills. The evening was bright, but with a chilly wind, both of which made macro photography fairly challenging. Macro photography needs patience and a wealth of subjects, we didn’t see any butterflies, only a couple of grasshoppers, and a ladybird. In the wildflower meadow the orchids hadn’t grown fully yet, there was plenty of Birds Foot Trefoil around, I managed to get a reasonable shot of a grasshopper, and a grass seed head, which are posted on here. It was good to see so many members attending; it was a chance to get down to ground level and see the beauty of macro / close up photography.
by Graham Harrison 1 June 2025
Good Morning All Bank Holiday Monday I went to Chambers wood in search of the Marsh Fritillary, a butterfly I had never seen before, it must have been a good year for them as there were quite a lot of them about in the meadows. Last week at the club we concentrated on macro and close up photography, showing a DVD the first half which should have given us all the technical knowledge we will need for this weeks outing to Red Hill. The second half Derek demonstrated with the help of his carved owl some of the things that had been shown in the DVD. You can go to Red Hill earlier if you like but if we say meet for 6.30pm at the reserve and I have checked the website for The Three Horseshoes at Goulceby and it says it is open until 10pm, so that's refreshments sorted. Red Hill is just over 8 miles from Louth, on the Wolds near Stenigot, the nearest postcode is LN11 9UE and a map is on the Lincolnshire wildlife trust's website. I will have my phone in case you get lost, but I can't guarantee a signal out there ( 07884316994 ). To find Red Hill if you head for Goulceby from Louth by going past the top end of Hubbards Hills you should find it ok. The following week we are away at Scunthorpe for round two of the LPA battles, more info next week for members who are planning to attend. Regards Graham
by Derek Smith 29 May 2025
At our meeting last night an instructional DVD on “Macro Photography” was shown. The DVD material was quite detailed, very interesting, with lots of facts, and figures to consider. After the break, I attempted to unpack some of that detail with a practical demonstration using my own camera, (the OM Systems OM-1) a set of extension tubes, an LED light, and an on-camera flash. There’s lots to consider when beginning with macro photography, first of which I would say is get to know your camera, being able to adjust aperture, ISO, and watching the shutter speed if shooting in Aperture Priority mode to optimise exposure, and detail. Next, lens choice, select a lens with the closest focusing distance, if you have a dedicated macro lens then use that, otherwise a set of extension tubes may bring your camera closer to your subject. Choosing a subject, and lighting the subject with a LED light, or a camera flash speedlight will yield improved results. Don’t be afraid to experiment with settings, only by continual practice will the best images in this incredible genre, that is macro photography be realised, above all have fun. We meet at Red Hill Nature Reserve, Goulceby next week, Wednesday 4th June, to hopefully capture some amazing macro photography.