Camera Buying Mistakes

Derek Smith • 19 April 2022
Choosing the right camera is such a hard job, harder even, I would contend, than choosing a wife, husband, or significant life partner. You’ve got size, weight, and features to consider (that’s the camera!!), as well as price, and lens selection.

For me buying the Sony A7ii full frame camera was a huge mistake, I had owned Sony APS-C cameras for a number of years, starting with the Sony NEX 3 in 2014, upgrading through the Sony A6000, until the Sony A6300, I knew Sony, the tortuous menu system, and the flawed ergonomics, and I had several Sony lenses, including one designed for the full frame Sony cameras, which was the Sony FE 70-300mm OSS f/4.5 – 5.6. So, it made good sense to upgrade to the full frame Sony A7ii, it was being advertised at the time at a “cashback” price of £800, (you have to pay full price up front, then claim the £200 cashback after a month). The camera was weatherproof, had “in body image stabilisation”, and better controls than the Sony A6300, what could go wrong? 

I hated the Sony A7ii camera from the very beginning, I had problems with the Sony website, and didn’t receive the promised £200 cashback. The lens mount was so close to the front hand grip that my fingers were tight against some lenses, the front control wheel was placed under the on / off switch and I invariably ended up turning the camera off rather than making any adjustments. I bought the Sony FE 85mm f/1.8 lens to use for portraits, and wasn’t happy with that lens either, the depth of field was so shallow, almost razor thin, at f/1.8 and while YouTube reviewers where almost shouting from the rooftops “get the 85mm, and use it wide open”, I hated using the lens wide open, it was also a big heavy lens at 371g. I had also kept the Sony A6300 as a backup camera, and the trouble with that plan was that I was using full frame lenses with an APS-C sensor camera, and my 35mm full frame lens suddenly became an effective 50mm lens on the A6300, and the 70-300mm full frame lens, became a 105-450mm lens. The mental agility of having to calculate effective focal lengths when changing lenses between cameras became very wearing.

I sold all the Sony cameras, and lenses, getting a good price on MPB, but what to buy next?

Looking at the options, the choice came down to the Fuji X-T3, or the Olympus OM-D E-M5 iii. I had owned an Olympus camera before, and had been very pleased with the handling, and image quality. Olympus had the 5 axis “in body image stabilisation”, and the lenses that I wanted, the 12-40mm f/2.8, and the 40-150mm f/2.8 both constant aperture weatherproof lenses. The Fuji didn’t have the “in body stabilisation”, the lens choice of 3 approximately effective 24-70mm focal length lenses was confusing, and the long focal length zoom lens of 100-400mm f/4.5-5.6, was a hulking great monster of a lens at 1436g. The Olympus was a known camera system, the Fuji was a leap in the dark, so I chose to buy something I knew.

I’ve been extremely pleased with my Olympus camera system, and taken some great photos with the camera, however as my photography skills grew, I desperately wanted a joystick to move the focal point quickly onto the subject for more accuracy, and I needed a camera with two SD card slots, one for RAW, and the other for the JPEG images, to speed up my workflow.

In the intervening two years that I had owned the Olympus, Fuji had introduced the X-T4 camera with “in body image stabilisation”, but more importantly the lens selection had markedly improved, with the new 16-80mm f/4 zoom (24-120mm full frame equivalent), and the 70-300mm f/4-5.6 zoom (105-450mm full frame equivalent). So, selling the Olympus gear, and buying the second hand Fuji X-T3, with dual SD cards, and joystick, the second hand 16-80mm f/4 lens, and a brand new 70-300mm f/4-5.6 lens, became an easier choice to make. It’s been a steep learning curve with the Fuji, but I’m comfortable with the camera now, and getting some great images.

It’s an interesting exercise to compare the weight and size of the cameras, and lenses:     

Olympus 40-150mm f/2.8 Pro 880g 79mm x 160mm 

Sony FE 70-300mm f/4.5 – 5.6 OSS 854g 84mm x 143.5mm

Fuji XF 70-300mm OIS WR f/4.0 – 5.6 580g 75mm x 133mm 



Sony Alpha A7ii 599g 127 x 96 x 60 mm

Fuji X-T3 539g 133 x 93 x 59 mm

Olympus OM-D E-M5iii 414g 125 x 85 x 50 mm

Sony Alpha A6300 404g 120 x 67 x 49 mm

The lightest camera setup is the Fuji X-T3 at 1119g with the 70-300mm lens (maximum full frame equivalent focal length of 450mm), the Fuji lens is designed to cover the smaller APS-C sensor, and can be smaller than an equivalent full frame lens. The full frame Sony A7ii camera is the heaviest with the Sony 70-300mm. The heaviest lens is the Olympus 40-150mm, constant f/2.8 aperture throughout the zoom range, constructed of metal, and has a full frame equivalent focal length of 80-300mm.

So was it a mistake to buy Olympus? No, I don’t believe so, Fuji did not have the lenses I needed at the time, and I’ve learned a lot about photography in these last few years. I had a lot of pleasure using the Olympus cameras, and now I’m enjoying the Fuji camera, with the associated lenses.


Louth Photographic Society

by Graham Harrison 10 August 2025
Good Morning All I attended the LPA meeting on zoom last Monday; I thought I would report on the main subjects that were brought up. Firstly, Deepings have left the LPA, they have not given a reason but just decided to leave. NELPS have proposed that the Battles need re-thinking, it was not discussed at the LPA Delegates meeting to let clubs think about their proposals. To simplify the Battles Competition they would like to see the Battles entries reduced to nine prints per club and judged at one event instead of travelling around other clubs. Judging by the number of our club members going to the away Battles, one to Scunthorpe and four to Cleethorpes it is probably a good idea. Grahame Dunkin has also taken on the role of vice president of the LPA.
by Derek Smith 7 August 2025
As photographers we often take a camera out with us with no specific aim in mind, and there’s nothing wrong with that, the “ad hoc” photo can sometimes be amazing, and as someone once said, “the photo you most remember is the one you missed!!” More often as club photographers we head out of the door with our camera and specific lenses, with an aim to take a particular style, or genre of photography. In June I headed to Kirkby Gravel pits nature reserve with a long telephoto lens, and a macro lens, the insect life was very prolific, and so I spent most of the time taking photos of the insects. When I go out for a model photoshoot, I plan for the shoot and will take two cameras, a standard zoom lens on one camera, with a “bright aperture” portrait lens on the other. Recently I needed specific subjects for upcoming photo competitions, I wanted some “long exposure”, “people”, and “architectural details” photos, so I took the bus into Lincoln. For the “long exposure” subject, I had two concepts in mind, and on the day one of those concepts was realised very effectively, the image on this blog shows one of the failures, a long exposure panning of a cyclist, still it’s different!! I came away from Lincoln having completed two of my objectives, as they say, “two out of three ain’t bad”. I was able to capture a few “people” street style photographs, one of which I plan on using in the 10th November competition. Long exposure photography can produce some very strange outcomes, I watched a YouTube video a while back with an American photographer taking a long exposure photo on a crowded seaside pier, his concept was that the moving people just “disappeared” with a long exposure setting, the result would have been a people free image of the pier, however, this is true if the people are moving, the problem was a homeless man stood very still in the crowd looking at the photographer, it surprised the photographer, and made for a very unique photo, the photographer took the homeless man to a restaurant for a meal. Regarding intentional photography, how is everyone doing with the “Prime Time” annual project? One photo each month taken with the same prime lens. Enjoy the summer, Louth Photographic Society will be back in September after our summer break.
by Derek Smith 3 August 2025
The New Inn, at Saltfleet will be hosting our well attended Classic Car Nights, these now have a regular following among the classic car and vehicle owners in the area. The dates for the next Classic Car Nights, are the 8th August, and 12th September. In addition the New Inn will be holding a Bike Night on 22nd August.
by Derek Smith 30 July 2025
Last weekend we spent a pleasant Saturday in the north Lincolnshire Wolds. Our first stop was to All Hallows Church, Clixby, the church is very hard to see from the road, as it is hidden away among trees on a double bend. The church dates from the 13th century, is grade 2 listed, and was declared redundant in 1973. The stone carved font is 15th Century, and was formerly in a Low Toynton Church. Driving on to Caistor we stopped at the Rock Foundation Nursery, and café for an excellent coffee, and cake, for lunch. Returning home we pulled off the Caistor - Brigg Road to visit the hamlet of Somerby. A monument has been erected on the side of a hill here in 1770 to celebrate the 29th anniversary of Edward, and Ann Weston, and in the tenth year of the reign of George III. The views from here are amazing, clear across Lincolnshire to Lincoln. It was a pleasant excursion with my young lady, and my camera.
by Graham Harrison 28 July 2025
About a year ago, my computer crashed, and I lost all my files and photos. After learning from Curry’s that retrieval from the defective hard drive was costly and uncertain, I chose to buy a new desktop computer and start afresh. I had backed some of the older photographs up, with some club talks, and a lot of holiday photos on memory sticks. I had also been lazy about deleting photographs on my camera SD cards that went back to July last year. I decided not to use any of the old photos I had for competitions, and instead using only new images, essentially starting again. Downloading what I had on my camera and re-editing some I had worked on previously (hopefully better) as I had purchased the latest Adobe Elements (25) editing software on my new desktop, after losing my previous copy of Adobe Elements (10), and taking more photographs when I had the chance. I now have over 40 PDI's in my competition file but still need a few more in the print file as I like to print what I consider my best photographs; competition judges may have other ideas of course. Reviewing my last year’s monthly competition scores to May of this year, with Prints Subject - 3rd, Open-2nd, and PDI's Subject-3rd, Open-2nd, not bad considering that I started from scratch. Lessons learned then; firstly back your files up and don't let your computer get too old and out of date, secondly, I think it has been a good thing to start again and use only the latest photographs for competitions.
by Derek Smith 24 July 2025
As photographers we take many photos over our lifetime, personally I have over 30,000 photos, my photos of family, friends, and holidays are precious. A selection of my memorable photos of various subjects are pictured here and hold particularly fond memories for me. The first image is of Mam Tor at dawn, I and two other club members climbed Mam Tor in the dark by torchlight, to photograph the sun rise, unfortunately owing to the low cloud, and mist the sunrise disappointed, with just a lightening of the eastern sky, but we still managed to obtain some excellent images. My second image is of a London Docklands basin, this one processed as a monochrome image taken on a family outing, it looks stunning with the office towers, and the reflections in the water. Most of you know that I enjoy my portrait and model photography, this one staged at Doncaster Motorcycles, is gritty, and realistic. Obviously, she isn’t a motorcycle mechanic, but she entered into the spirit of the theme, and covered herself in dirt, and grease for the shoot. Lastly, a photo that I have longed to capture, you see photos like this in all the farming magazines. We were driving back from the Humber Bridge, through the lanes near Winterton, when I spotted the combine harvester in the field, we pulled up on a wide verge. I had to wait in the corner of the field until the tractor, and combine, were in just the right place so that I could capture the shot. Hopefully, you’ve enjoyed seeing these photos. If any members have any memorable photos that you can share, please email me.
by Graham Harrison 20 July 2025
Good Morning All I visited Chambers wood last Sunday in search of rare butterflies, I did manage to photograph a White Admiral and what I think is a Silver Washed Fritillary, it was a very bright day, and the butterflies were not settling for long. Last Tuesday four members attended the LPA Battle at Cleethorpes, Derek has done a blog on the evening to read on our website. Dave Turner has sent me a list of all the scoring over the three rounds which is attached, just be warned the scores on round three were quite low compared with other rounds. A big thank you to Dave Turner who has taken our prints to the away rounds and done all the administration for the Battles. It is our summer break now so the newsletters will not appear each week until September unless there is something to report. Feel free to send blogs to Derek if you have been somewhere you want to tell us about, or just a blog on anything photo related. Regards Graham
by Derek Smith 16 July 2025
The 3rd round of the LPA Battles was held last night at Cleethorpes camera club was held last night. The judge for the evening was Erica Oram, from Sheffield, I enjoyed her style of judging, very considered, and with her speaking out her thought processes as she assessed each print. The standard of prints from Cleethorpes, Louth, and Pinchbeck, in this 3rd and final round, were extremely high and Erica had quite a job to select the prints retained for higher points, her “hold backs”. I took this photograph of the “hold backs” at the break, about three quarters of the way through the initial judging, it was very evident then that Cleethorpes Camera Club had chosen a very creative, and well photographed set of prints for the LPA Battle. At the end of the judging process, Cleethorpes had 10 “hold backs” in the running for awarding higher points, accordingly Cleethorpes took first place in this round with 274 points, against 238 points for Louth, and Pinchbeck trailing with 234 points. Cleethorpes took a deservedly first place in this round, many thanks to Cleethorpes for the hospitality, making us feel very welcome.
by Graham Harrison 13 July 2025
Good Morning All Last week at the club we held a local PDI competition, Wildflowers and Open, there were some very good entries and especially well done to Keith Rossington who was placed first in both categories. The results are on our website. Thank you to Dave Turner who judged the Open, the first time he had judged live, and he did an excellent job with plenty of helpful comments and some good advice as regards processing our images. That was the last meeting at Church House until September as we now begin our summer break. There is however an LPA Battle, third round at Cleethorpes camera club next Tuesday, It is at 7.30 in their clubroom which is between 49 and 51 Reynolds Street DN35 7TU. Parking is best by the tennis courts. Regards Graham
by Derek Smith 10 July 2025
Last night we held our last competition before our summer break. The PDI (Projected Digital Image) competition had the categories of "Local Wildflowers", and "Open". As this was a members competition, Dave Turner judged the "Open" category, this was his first time judging a competition, he had previewed the images, and made notes, and he gave some excellent critique, which will help members when submitting images in future competitions. After the break, Graham Harrison judged the "Local Wildflowers", a couple of the submitted entries were excellent, but unfortunately did not meet the category criteria so lost some points, flowers always make a good subject for a competition, and Graham had quite a task in judging the images. It was a superb evening with some amazing images, Keith Rossington took first place in both categories, the images he submitted show how much time, and effort he takes with his photography, well done Keith.