Third Party Lenses
Derek Smith • 31 May 2024
Choosing a lens for a camera system is never an easy task, selecting the right focal length for your needs, whether to buy a zoom lens, or prime lens and then what aperture is required. For some camera systems the manufacturer may even provide a different aperture in the same focal length as an example a Canon RF 50mm prime lens f/1.8 can be purchased for around £200 but choosing the 50mm f/1.2 version might cost ten times this.
Many cameras when purchased new will be available with a “kit” lens, these are very often good value for money, and get you started with the new camera. The “kit” lens supplied with a camera system can often be of an inexpensive build quality, sometimes the widest aperture will be f/3.5, and have a lower optical quality than more expensive offerings. I used the Sony 16-50mm PZ compact zoom lens for many years on my APS-C cameras. At that time Sony did not offer much in the way of E-mount APS-C lenses, just a longer zoom 55-210mm, and a 35mm f/1.8 prime, and this is where a third party lens can be of a real benefit, I bought a Tamron 18-200mm f/3.5 – f/6.3 zoom lens, (when Sony introduced a 18-200mm f/3.5-f/6.3 lens it was rumoured that it was manufactured by Tamron), and a Sigma 60mm f/2.8 prime to add to my camera kit.
Tamron, and Sigma dominated the third-party lens market for many years and provided lenses that often filled gaps in a propriety manufacturers offerings. Sigma has produced a widely acclaimed trio of f/1.4 lenses the 16mm, 30mm, and 56mm available for many APS-C mounts. As an example when Canon introduced the M mount mirrorless series of cameras, such as the M50, as far as I am aware Canon developed only 2 zoom lenses, and a nice 22mm prime pancake lens, this system had a lot of potential, but Canon dropped the system in favour of the RF mount digital mirrorless cameras, all three of the Sigma f/1.4 prime lenses are available for the M mount cameras, filling the gaps that Canon left in the system.
Samyang manufactures a wide range of lenses for various mirrorless camera mounts, the 12mm f/2 APS-C wide angle lens is well renowned for build, and optical quality, and I’ve used this lens on my Sony A6300, and now on the Fuji system, I’ve created some incredible images with it such as at Mam Tor, Whitby, the night sky images, and all of the last years churches project. For full frame cameras I used the Samyang 45mm f/1.8 on my Sony A7 ii and took some amazing portraits with this lens.
Chinese lens developers have come to the fore with some very inexpensive third-party lenses to fit various mirrorless camera mounts. Viltrox, 7 Artisans, TT Artisans, Meike, and Pergear are some of these Chinese brands, initially a lot of lens offerings were, and still are manual focus, but many more autofocus lenses are now being produced. Sigma, and Tamron manufacture quality products in Japan, and Samyang are a South Korean company.
Currently, I’m using the TT Artisans AF 27mm f/2.8 pancake lens with my Fuji system, the lens is on sale for around £160, and I’ve just purchased the TT Artisans AF 56mm f/1.8 bought for £130, which I’m very pleased with. I replaced my Fuji 18-55mm f/2.8-4 lens (the optical quality of this Fuji lens was superb) but the Sigma 18-50mm lens has a constant f/2.8 aperture, is smaller, lighter, and focuses closer making it a great little travel lens.
In summation then a third-party lens may have the advantage of providing more choices of lenses for different camera mounts, at a competitive price point. The disadvantages of choosing a third-party lens could be a reduced resale value, less reliable product support, and may have inferior image quality, but if I can get 90% of the image quality at a third of the price then it’s a choice I’m prepared to make.
Louth Photographic Society

Last night, Steve West gave a fascinating illustrated presentation on the long history of cinema, and stage plays in Louth. In the late 1890s some films were shown at various locations, in 1910 a “tent” cinema was showing films on Westgate Fields. During 1913 a site was purchased of 2 retail units, on Eastgate, the retail units were demolished, and the Palace cinema / theatre was constructed on the site ready for opening in 1914. During the interwar years many plays were staged at the Palace, and Steve has collected many of the original programs from this era. The current Playhouse was constructed in Canon Street in 1921 in the “art deco” style, some poor quality housing was demolished to make way for this new cinema. The Playhouse, and the Palace both continued in operation until 1960 when the Palace was sold, and the building was converted into a Fine Fare supermarket. During the 1970s when Bingo became popular, part of the Playhouse was used as a Bingo hall, with the reception area restyled to suit the new usage. The Playhouse was converted into a multi-screen cinema when purchased by the Parkway Cinema group in the mid 1990s. Louth is extremely fortunate to have retained a viable cinema in the town, many thanks to Steve West for a very polished presentation.

Good Morning All Sand racing starts again this week at Mablethorpe, this Sunday is practice day, times are on their website. Last week at the club we held a local competition, with the categories of: "Straight out of the camera" and "Open", there was a very good entry in each subject with Tony Gaskins having the task of judging the unedited ones and Robin Begley judging the Open. There is a full report on our website but well done to Harry for first place in the Straight out of the camera and Keith Rossington for first place in the Open. This week, Wednesday 14th, Steve West will be our speaker, talking and showing PDI's on the subject of the Louth cinema. The following week will be a print competition, with the categories of "Mono" and "Open", you need to bring your prints in this week and send an email to Dave Turner with your titles. Regards Graham

At our meeting last night we held a PDI (printed digital image) competition, with the categories of "Local Unedited", and "Open". As this was a members competition one of our members judged the competition, Tony Gaskins was our first judge for the "Local Unedited" category, these were .jpg images taken straight from the camera, without any editing, apart from the resizing for projection. Presenting an image such as this in a competition is quite a difficult task, the photographer has to ensure that the correct exposure is chosen, the composition, and subject matter has to be precise, everything done in camera. Normally for competition entries, a degree of post processing would be involved, simple edits like toning down highlights, or even removing extraneous objects from a scene, emphasising a moody sky, all not allowed. Tony Gaskins did an excellent job with his judging, providing clear and concise critique of the images presented, he "held back" 8 images for further consideration, awarding higher points, and finally choosing the top three placements. After the break it was Robin Begley's turn to judge the "Open" category, as these were post process edited images the standard was higher than the unedited images, but surprisingly not markedly so. Robin is potentially hoping to become a N&EMPF approved judge, and he had a different style, able to suggest edits that could have improved an image, again his critique was clear and concise communicating well with members. Robin chose 8 images for further consideration, awarding higher points, and finally selecting the top three placements. It was a fabulous, and interesting competition with excellent images, many thanks to both our judges, it's not an easy job, probably nearly as bad as being a referee in a football match!! Many thanks to both our judges, well done.

Last night Lee Dixon from Cleethorpes Camera Club gave his first ever presentation to a camera club, which we were privileged to view. His presentation consisted of portraiture, creative, and his genre of choice; wildlife. Lee is an extremely talented photographer, with a highly creative portfolio, his portraits are quite atmospheric, unusual, and capture the essence of the model, and scene. For Lee’s creative work, he buys props from charity shops, often very cheaply, reusing those props in various scenes. For his composite work he will often take one of his photos of a room, and blend it with a subject in Photoshop using “blend” modes. For wildlife he visited Lake Kerkini in Greece to photograph the Pelicans, if the sky is a little on the bland side, Lee will often over expose the image resulting in a striking white background to the subject. On safari in Africa Lee showed us some amazing images of the wildlife, the close-up images of elephants, the wildebeest migration, and this stunning image of a cheetah. Lee was ably assisted by Mike Bennett. More of Lee’s work can be found on his website: https://leedixonphoto.co.uk/ Lee his kindly given permission for his images to be used in this post. Many thanks to Lee, and Mike for an amazing evening.

Good Morning All Last week at the club we held our monthly PDI competition, with the categories of "Objects in the Air" and "Open", there was a very high-quality entry in both competitions and judge Mike Bennett had quite a job on his hands scoring the entries. Well, done to Dave Turner for first place in the Objects in the Air and Tony Gaskins for first place in the Open. All the results are on our website. This week, Wednesday 30th September, our speaker will be Lee Dixon from Cleethorpes Camera Club showing us his natural history, Creative and many other photographs he has taken. It will be the first time Lee has shown his photographs at our club. If anyone else wants to enter PDI's in the 2027 N&EMPF Exhibition, the deadline is this Wednesday at midnight. Harry is still taking entries for the PDI competition, with the categories of "Local Straight from Camera" (unedited .jpg), and "Open", to be held on Wednesday 7th October. Regards Graham

At the meeting last night Mike Bennett judged our competition with the categories of “Objects in the Air”, and “Open”. The standard of entries was excellent, and it gave Mike a tough task of judging the images, Mike gave some very good critique of the images displayed, the feedback helps members to develop compositional skills. Dave Turner was awarded first place for his image of the “Tiger Club Display Team” in the “Objects in the Air” category. Tony Gaskins was awarded first place for his image of the “Spectacular Rustgill” in the “Open” category.

Good Morning All, Last week at the club we watched the N&EMPF PDI Exhibition for 2026, it was a very good evening viewing very high standard images from all over the East Midlands. Dave Turner and I did manage to get images accepted; there is a full report on our website. This week, Wednesday 23rd September, we will hold our monthly PDI competition, with the categories of "Objects in the Air" and "Open", please send entries to Harry by midnight tonight. Harry is also accepting images for the PDI competition, with the categories of "Local Straight out of the Camera (only resizing permitted)" and "Open". Regards Graham

Members were shown the 2026 N&EMPF PDI Exhibition video last night with all of the accepted PDI images in the first part, and after the break the awarded PDI images. There were some stunning images on view, and Louth was successful in having 3 PDI images accepted, Graham Harrison with his image of a Stonechat, and Dave Turner with his portrait of Paul Rudd, and his monochrome image of Kings Cross railway station "Going Down". Overall it was a good inspirational evening.






