Photographic Experience
Derek Smith • 28 May 2021
This is the last of a quartet of blogs on photography skills, and gear. In this blog I want to focus on photographic experience, this is something that simply cannot be bought, but is acquired over time.
Photographic cameras, and lenses are tools to be used, whether the camera is a mobile phone, compact camera, mirrorless, DSLR, budget or top of the range camera it is important to be confident using the camera. Ask yourself these questions, can I change ISO, Aperture, Shutter speed, or select a focus point quickly? When is the use of continuous AF best employed? What aperture best suits my camera for a particular subject / scene?
Having a camera that feels comfortable to use, and where you know all the camera controls will produce far better images than having the latest and greatest gear. I’ve been watching a YouTube video by Chris Orange, a photographer, who is enthusing about the Fuji X-E1 that he bought second hand for £149 and taking some fantastic photos with it, my Olympus PEN E-PL7 body cost only £120 second hand, and I’ve taken some great photos with that camera. Take time to research your camera, watch set-up videos on YouTube, then set the camera the way that you want it. Know what works for you, I know that many photographers use “back button” focus, a method that I wouldn’t find useful, as I have always used a mirrorless camera with multiple focus points, and I am comfortable with a half press of the shutter button to focus on my subject.
Focus points, on my Sony cameras I used to leave auto-focus set to continuous AF, the focusing just worked. On Olympus my cameras are always set to single AF, unless I’m tracking a moving subject when I switch to C-AF with a cluster of 9 focus points, it’s learning your camera, with strengths and weaknesses that make a difference in your images. Many photographers will use fully manual mode for every photograph taken, whereas I invariably use Aperture priority mode, as I know the aperture that gives the best results in most given scenarios and remember the best aperture for a scene may be dependant on sensor size, a landscape scene on a full frame camera might be taken at f/16, but on a Panasonic, or Olympus micro four thirds sensor f/7.1, or a f/8 aperture might be more appropriate.
Get to know your lenses, for prime lenses many photographers will use a trio of lenses in full frame terms a focal length of 35mm, 50mm, and an 85mm. Sometimes though a wide aperture constant aperture zoom lens may offer best value and results, the Sony 18 – 105mm f/4, the Tamron 28-75mm f/2.8 are good examples of these type of lenses.
The next area of expertise is in the composition of your images, and the use of light. When you see a scene worthy of photographing, take time to assess the scene, and the direction of light, especially with landscape, or architectural photography, and if you know of a good location perhaps return when the light is more favourable. Take multiple shots at different angles, is there an element that either needs to be in the frame, or should be excluded? A good tip that I’ve picked up from Nigel Danson (a YouTube landscape photographer) is to visualise the scene with the screen of a mobile phone, before setting up the camera on a tripod.
Try to simplify the image, picking out the essential elements only, this will make for a more impactful image. Try and ensure that your subject is positioned correctly within the frame, on the thirds, or centrally, get as much right in camera as you can, as this will save hours of editing later.
Fill the frame with the subject, this is especially important with smaller sensor cameras, are you photographing a tree that happens to have a bird in it, or are you photographing the bird? The same will apply to insect photography try and get as close as you can, or use a longer lens. Yes, you can crop into an image to highlight the subject, but not to the point where the image is the size of a postage stamp!!
Having said all that, never be afraid of the “grab shot”, sometimes an opportunity will arise, and a few seconds is all you will have to take the shot, this photograph of Glen Coe in the Highlands of Scotland was taken on a 10 minute coach stop, out of the lay-by, the early morning November light was just right. The elements in this image are a good in-focus foreground, the leading lines of the roadside barriers, guiding the eye through the scene down the valley, the sky, the lighting, and the colours of the hillsides. Taken with a Sony A6300 camera, and a Sigma DN Contemporary 16mm f/1.4 lens. Aperture priority at f/10 to give the depth of field within the scene, 1/250 shutter speed, and ISO 1600.
Lastly, and most importantly, take the photos that please you, obviously some critique of your images will help you to mature, and grow as a photographer, but the pleasure in creating images that appeal to you is immeasurable, just enjoy your hobby, and if someone else likes your photo that is a bonus.
Louth Photographic Society
Our AGM was held last night; it was a productive evening with all the Society Officers re-elected for the forthcoming year. A big thank you to Peter Cory who has stood down from the Committee, Paul Twomey has been nominated in his place on the Committee. Following the AGM, the cups, and trophies were awarded to members with the highest points scores in the competitions.
We held a PDI Competition last night with the categories of “Local Events”, (the “Local” designation applies to any photograph taken within a 25-mile radius of St. James Church, Louth) and “Open”. Our own Graham Harrison was the judge for the evening, and he did a sterling job of selecting the top three highest placed images in each category. All the results of the competition can be viewed on our Competition webpage. I want to take a moment to praise the work of our Competition Secretaries, Dave Turner is the Print Secretary, he collects, collates the submitted competition prints, and produces the score sheets, he also submits club entries into the LPA Fosters competition, and the LPA Battles for members. Harry Kerman is our PDI Secretary, he receives submitted digital images usually via WeTransfer, collates the entries, produces the score sheets, and presents the images on the competition evening, as he did last night. Our Society would be much poorer without the hard work and dedication of these two individuals. It would be a real help to both Competition Secretaries if you could pay attention to the titles of your submitted entries, in the topic categories a judge must be guided by the title, as well as the image to evaluate whether the image meets the topic criteria. Our next PDI competition has the topic of “Seasons”, carefully choose both the image and the appropriate title to help the judge. It seems a shame to put a lot of hard work into taking a photograph, editing the image, and submitting the entry, only to lose points because your image did not meet the criteria. I would also encourage you to join our outings in June, it’s where we can socialise, and learn from other members how to use our cameras and gain some composition tips. This photo of an Orb Weaver spider taken at Chambers Farm Wood, from last year, is an example of what can be achieved on our outings.
Good Morning All Last week at the club Derek Smith kindly organised a studio night for us all, it was a very successful evening with Derek providing all the lighting, backdrops, and booking the model. Thank you, Derek, for all your hard work organising the evening. This week, Wednesday 30th April, we are holding a local PDI competition, with the categories of "Local Events" and "Open", you have until midnight tonight to get your entries to Harry. The local is always judged by members and this week you have yours truly judging. The following week it is that time of year already when we hold our AGM and presentation night. If any members have trophies to hand in, this week please. The week after the AGM it is the first monthly PDI competition of our new competition year, Seasons and Open, you can begin sorting out your entries for that one as well now and send them to Harry after this Monday to avoid confusion. Regards Graham
Our “Studio Night” was held last night, this is an annual event, with a model being on hand for members to practice portrait, and fashion photography. This year, I wanted to try something a little different, with two sets positioning a model at one end of the room for the fashion shoot, and another set for portraits at the opposite end of the room. I tried booking a male model, and a female model for the shoot with a casting call on my usual modelling site, initially gaining interest from one male model, but unfortunately, he had to drop out. Re-advertising the shoot, yielded a female model from Rugby, and a male model from London. Where were all the Lincolnshire models? I pulled up a list of Lincolnshire models, and directly messaged several, without any response, until just 3 days before the event a female model under the name of Dahlia_Void (Megan) from Grimsby, responded and the “Studio Night” was on. Our very own talented Paul Rudd agreed to model for us, and both models did a superb job. I believe that the “Studio Night” was a success, with members seemingly able to take some excellent images of both models. Importantly, there didn’t seem to be a lot of waiting around for members to take their shots, and the models appeared relaxed. Megan was a little star, being very patient while we pointed cameras at her.
As a photographer, do you have a “style”? That’s a question that I’ve struggled with over many years. However, now that I think over what it is that makes me a photographer, I realise that being out with my camera brings me a lot of satisfaction, and none more so than working with models. My “style” if you can call it that, is encapsulated in what I call my “walkie / talkie” location shoot, which I’ve embraced for the last six years. I arrange to meet up with a model, male or female in a location, it may be a town, city, nature reserve, or a park. We walk around the location, chatting away until we find a suitable spot for a photo, I take a couple of photos then move on to the next location. The idea of this type of shoot is not to create the “picture perfect” portrait, but rather to capture a moment, some part of the model’s character. Travelling light, one camera, one lens, no reflectors, no lighting, just natural light, and a natural background. This “style” is perhaps more akin to street photography, but with a dedicated model. Here’s a sample of some of my favourite images from my “style” of photography.
Good Morning All We have just come back from a week in Northumberland, staying at Newbiggin by the sea. I took plenty of coastal photographs including many of the area's wildlife. Last week while I was away it was the monthly print competition. There is a blog on the website as well as all the results on the competition page. I really just need to congratulate Dave Turner who won both the subject and Open competition. I am not sure if Wednesday night's studio evening is going ahead yet but will let you know. Entries for the local competition, Local Events and Open need to be sent to Harry by midnight next Sunday. We judge this competition in house; I am happy to judge one subject if anyone else would like to judge the other subject? Regards Graham
We held a print competition at our meeting last night with the categories of "Curves" and "Open". Our judge for the evening was the very competent, and accomplished Diane Seddon. Diane gave excellent critique of the prints, and one of the main themes that Diane highlighted was the presentation of the prints, siting print sizes, mount sizes, mount colours, and more thoughtful cropping of images selected for printing. Definitely food for thought, and addressing those issues will improve members points scoring in future competitions. All the prints submitted into this competition were of a very high standard, however, it was Dave Turner who swept the board with 1st, and 2nd placing in the "Open" category, and 1st, 2nd, and 3rd placing in the "Curves" category, it was a well deserved placing with some stunning prints. The Competition page of our website has been updated with the full results. Thanks to Diane Seddon for judging the competition, and Dave Mann for the refreshments.
Dave Turner, and I attended the LPA Fosters Challenge at Nettleham. The judge for the competition was Sue Wilson from Clay Cross. Axholme took first place with 19 points, Grimsby 2nd, and Cleethorpes 3rd. Louth was awarded 13 points, consisting of: Damselflies Mating – Graham Harrison 4pt Saltwick Bay – Tony Gaskins 4pt The Thinker – Keith Rossington 3pt Muted Swan – Harry Kerman 1pt Pier Number 9 – Dave Turner 1pt It was an interesting competition with some amazing images, a big thank you to Dave Turner for selecting the prints and submitting our entry into the competition.
Good Morning All Last week at the club member Chris Birchmore took us back in time with old photographs and a very interesting talk on one of Louth's old shops Platts stores. Platts stayed traditional for many years but as like most of the old shops eventually disappeared along with it's upside down sign. There is a blog on our website as well to look at. This week, Wednesday 16th April, we will hold our Print competition with the categories of "Curves" and "Open" to be judged by Diane Seddon of Cleethorpes. Harry is also now taking entries for the local PDI competition, with the categories of "Local Events" and "Open". Regards Graham
Our member Chris Birchmore gave an illustrated talk last night titled "The Shopkeeper and his Assistant". Chris related details of his family origins, and family history in Louth, in particular his connection with Platts Provision Store in Eastgate. It was a very interesting talk which evoked many memories with those members who had themselves been raised in Louth. Many thanks Chris, the preparation, and talk was excellent.
