Back to Basics
Derek Smith • 19 March 2022
Wine Glasses
Photo By: Derek Smith
Victorian Sewing Kit
Photo By: Derek Smith
Ninja
Photo By: Derek Smith
South Kyme
Photo By: Derek Smith
Within our Society we have photographers of all abilities, and whether you are a beginner, or an experienced photographer it’s sometimes good to review our photography skills.
Compositional Techniques – A photo should always tell a story, a narrative that conveys the subject, or point of interest of the image immediately to the viewer, so remember that lines pointing toward the subject can guide the eye. Having the subject brighter than the surrounding area is also a good technique, a shaft of light on a building can often be utilised when a break in the clouds allows. Very bright grey featureless skies can be the bane of landscape photography, try tilting the camera down to reduce the amount of sky in the final image, or try photographing the scene at a different time of day. The positioning of a subject within the photo frame is also important, if the subject can move, give it room to move into the frame, if the subject has eyes have the direction of gaze looking into the frame, or look at a point of interest within the frame, in portraiture perhaps the subject could look directly at the photographer. Decide from the outset what to include in the photo, or even more importantly what to leave out.
Focus Points – With modern digital cameras a photographer should be able to control the size, and positioning of the focus point. Leaving the focus on automatic, and wide runs the risk of the camera focus locking onto something other than your subject, or a point of interest, usually it’s the nearest thing to the camera, a blade of grass, or a tree!! Learn how to control the size, and position of the focus point on your camera thus ensuring the subject of the image is sharp.
Get Out of Auto – We use the auto exposure mode regularly on our mobile phones, and sometimes on our cameras, and there’s nothing fundamentally wrong with taking photos on Auto mode however, a photographer can be far more creative, and produce a more impactful image by selecting Aperture Priority on the camera.
Aperture Priority Explained – The aperture of a lens, the size of the iris, the hole that lets the light into the camera via the lens, is controlled by the aperture blades. Using Aperture Priority mode allows the photographer to control, and vary the aperture, to adjust for the scene, and the ambient light. The size of aperture is denoted by what’s known as an “f” number, with the lowest “f” number opening the widest, and therefore letting the most light into the camera. In Aperture Priority mode as the aperture is varied, the camera automatically adjusts the shutter speed to give the correct exposure. Learning the effects of the different apertures can be slightly daunting for someone new to photography, so as we now know that in Aperture Priority mode adjusting the aperture also adjusts the shutter speed I would like you to think of the aperture settings, in bands, related to the shutter speed.
Fast: f/1.0 – f/3.5, sometimes referred to as “wide open”, allows the most light into the camera, and therefore gives the highest shutter speeds. Useful for indoor low light situations, and portraits.
Medium: f/4 – f/7.1, allows less light into the camera, useful for photography of birds, small mammals, and portraits.
Slow: f/8 – f/16, often referred to as “stopped down”, this is an ideal setting for landscape, architecture, and portraits.
It is also useful to remember that most lenses produce the sharpest images between f/4 – f/8.
Practical Application – Learn how to locate, and be able to adjust the aperture, on your camera. Setting the Mode Dial to “A” or “Av” puts the camera into Aperture Priority mode, and usually a control wheel on the camera adjusts the aperture range. One other control to consider is ISO, which controls the sensitivity of the sensor. Locate, and be able to adjust the ISO on your particular model of camera, you may have to press a button on the back of the camera, to enable adjustment of the ISO.
Exercise – Having located the Aperture, and ISO controls on the camera, try this practical exercise; set the aperture to the “Fastest” aperture for your camera / lens combination, it may be f/2, or f/3.5. Set the ISO to 200, half press the shutter button and note the shutter speed, either in the viewfinder, or on the rear screen. Now, double the ISO to 400, and the shutter speed will double as well, repeat the experiment, at ISO settings of 800, 1600, and 3200, and observe the shutter speed double each time. You now have total control of your camera!!
It is useful to understand that a shutter speed of 1/60, and above, should enable a blur free handheld image of a static subject, (although image stabilisation, a tripod, or a convenient fence may help to steady the camera when using a slower shutter speed), and that a faster shutter speed of 1/250 will freeze action in a moving subject.
Sample Images
Wine glasses: This monochrome image taken at a “Fast” aperture of f/2, ISO 200, and shutter speed of 1/200 demonstrates a creative aspect of a “Fast” aperture, the foremost wine glass is sharp, but the wine glasses behind are blurred, and this type of image is not possible in Automatic Mode.
Victorian Sewing Kit: This image taken in a National Trust property which do not allow flash photography. Using a “Medium” aperture this time of f/4.5, ISO 6400, and shutter speed of 1/8, (utilising the camera stabilisation), I found the colours very pleasing.
Ninja: This image of a speeding motorcycle was taken at Cadwell circuit, the “Medium” aperture of f/5, ISO 64, and a shutter speed of 1/250. The camera settings coupled with a technique known as “panning”, which is locking the focus onto the motorcyclist and following the bike through its progress as it passes the photographer. The blurred background, together with the blurred wheels create a dynamic image of speed on the circuit.
South Kyme: Finally a landscape image, the deep blue spring sky, the chapel on the left balanced by the tree on the right. The “Slow” aperture of f/8, ISO 160, with a shutter speed of 1/850, I possibly could have stopped the aperture down to f/10, but generally pleased with the result, and the deep colours.
I hope that this post has inspired you, demystifies some photographic techniques, and helps you to enjoy photography.
Louth Photographic Society
Good Morning All I attended the LPA meeting on zoom last Monday; I thought I would report on the main subjects that were brought up. Firstly, Deepings have left the LPA, they have not given a reason but just decided to leave. NELPS have proposed that the Battles need re-thinking, it was not discussed at the LPA Delegates meeting to let clubs think about their proposals. To simplify the Battles Competition they would like to see the Battles entries reduced to nine prints per club and judged at one event instead of travelling around other clubs. Judging by the number of our club members going to the away Battles, one to Scunthorpe and four to Cleethorpes it is probably a good idea. Grahame Dunkin has also taken on the role of vice president of the LPA.
As photographers we often take a camera out with us with no specific aim in mind, and there’s nothing wrong with that, the “ad hoc” photo can sometimes be amazing, and as someone once said, “the photo you most remember is the one you missed!!” More often as club photographers we head out of the door with our camera and specific lenses, with an aim to take a particular style, or genre of photography. In June I headed to Kirkby Gravel pits nature reserve with a long telephoto lens, and a macro lens, the insect life was very prolific, and so I spent most of the time taking photos of the insects. When I go out for a model photoshoot, I plan for the shoot and will take two cameras, a standard zoom lens on one camera, with a “bright aperture” portrait lens on the other. Recently I needed specific subjects for upcoming photo competitions, I wanted some “long exposure”, “people”, and “architectural details” photos, so I took the bus into Lincoln. For the “long exposure” subject, I had two concepts in mind, and on the day one of those concepts was realised very effectively, the image on this blog shows one of the failures, a long exposure panning of a cyclist, still it’s different!! I came away from Lincoln having completed two of my objectives, as they say, “two out of three ain’t bad”. I was able to capture a few “people” street style photographs, one of which I plan on using in the 10th November competition. Long exposure photography can produce some very strange outcomes, I watched a YouTube video a while back with an American photographer taking a long exposure photo on a crowded seaside pier, his concept was that the moving people just “disappeared” with a long exposure setting, the result would have been a people free image of the pier, however, this is true if the people are moving, the problem was a homeless man stood very still in the crowd looking at the photographer, it surprised the photographer, and made for a very unique photo, the photographer took the homeless man to a restaurant for a meal. Regarding intentional photography, how is everyone doing with the “Prime Time” annual project? One photo each month taken with the same prime lens. Enjoy the summer, Louth Photographic Society will be back in September after our summer break.
The New Inn, at Saltfleet will be hosting our well attended Classic Car Nights, these now have a regular following among the classic car and vehicle owners in the area. The dates for the next Classic Car Nights, are the 8th August, and 12th September. In addition the New Inn will be holding a Bike Night on 22nd August.
Last weekend we spent a pleasant Saturday in the north Lincolnshire Wolds. Our first stop was to All Hallows Church, Clixby, the church is very hard to see from the road, as it is hidden away among trees on a double bend. The church dates from the 13th century, is grade 2 listed, and was declared redundant in 1973. The stone carved font is 15th Century, and was formerly in a Low Toynton Church. Driving on to Caistor we stopped at the Rock Foundation Nursery, and café for an excellent coffee, and cake, for lunch. Returning home we pulled off the Caistor - Brigg Road to visit the hamlet of Somerby. A monument has been erected on the side of a hill here in 1770 to celebrate the 29th anniversary of Edward, and Ann Weston, and in the tenth year of the reign of George III. The views from here are amazing, clear across Lincolnshire to Lincoln. It was a pleasant excursion with my young lady, and my camera.
About a year ago, my computer crashed, and I lost all my files and photos. After learning from Curry’s that retrieval from the defective hard drive was costly and uncertain, I chose to buy a new desktop computer and start afresh. I had backed some of the older photographs up, with some club talks, and a lot of holiday photos on memory sticks. I had also been lazy about deleting photographs on my camera SD cards that went back to July last year. I decided not to use any of the old photos I had for competitions, and instead using only new images, essentially starting again. Downloading what I had on my camera and re-editing some I had worked on previously (hopefully better) as I had purchased the latest Adobe Elements (25) editing software on my new desktop, after losing my previous copy of Adobe Elements (10), and taking more photographs when I had the chance. I now have over 40 PDI's in my competition file but still need a few more in the print file as I like to print what I consider my best photographs; competition judges may have other ideas of course. Reviewing my last year’s monthly competition scores to May of this year, with Prints Subject - 3rd, Open-2nd, and PDI's Subject-3rd, Open-2nd, not bad considering that I started from scratch. Lessons learned then; firstly back your files up and don't let your computer get too old and out of date, secondly, I think it has been a good thing to start again and use only the latest photographs for competitions.
As photographers we take many photos over our lifetime, personally I have over 30,000 photos, my photos of family, friends, and holidays are precious. A selection of my memorable photos of various subjects are pictured here and hold particularly fond memories for me. The first image is of Mam Tor at dawn, I and two other club members climbed Mam Tor in the dark by torchlight, to photograph the sun rise, unfortunately owing to the low cloud, and mist the sunrise disappointed, with just a lightening of the eastern sky, but we still managed to obtain some excellent images. My second image is of a London Docklands basin, this one processed as a monochrome image taken on a family outing, it looks stunning with the office towers, and the reflections in the water. Most of you know that I enjoy my portrait and model photography, this one staged at Doncaster Motorcycles, is gritty, and realistic. Obviously, she isn’t a motorcycle mechanic, but she entered into the spirit of the theme, and covered herself in dirt, and grease for the shoot. Lastly, a photo that I have longed to capture, you see photos like this in all the farming magazines. We were driving back from the Humber Bridge, through the lanes near Winterton, when I spotted the combine harvester in the field, we pulled up on a wide verge. I had to wait in the corner of the field until the tractor, and combine, were in just the right place so that I could capture the shot. Hopefully, you’ve enjoyed seeing these photos. If any members have any memorable photos that you can share, please email me.
Good Morning All I visited Chambers wood last Sunday in search of rare butterflies, I did manage to photograph a White Admiral and what I think is a Silver Washed Fritillary, it was a very bright day, and the butterflies were not settling for long. Last Tuesday four members attended the LPA Battle at Cleethorpes, Derek has done a blog on the evening to read on our website. Dave Turner has sent me a list of all the scoring over the three rounds which is attached, just be warned the scores on round three were quite low compared with other rounds. A big thank you to Dave Turner who has taken our prints to the away rounds and done all the administration for the Battles. It is our summer break now so the newsletters will not appear each week until September unless there is something to report. Feel free to send blogs to Derek if you have been somewhere you want to tell us about, or just a blog on anything photo related. Regards Graham
The 3rd round of the LPA Battles was held last night at Cleethorpes camera club was held last night. The judge for the evening was Erica Oram, from Sheffield, I enjoyed her style of judging, very considered, and with her speaking out her thought processes as she assessed each print. The standard of prints from Cleethorpes, Louth, and Pinchbeck, in this 3rd and final round, were extremely high and Erica had quite a job to select the prints retained for higher points, her “hold backs”. I took this photograph of the “hold backs” at the break, about three quarters of the way through the initial judging, it was very evident then that Cleethorpes Camera Club had chosen a very creative, and well photographed set of prints for the LPA Battle. At the end of the judging process, Cleethorpes had 10 “hold backs” in the running for awarding higher points, accordingly Cleethorpes took first place in this round with 274 points, against 238 points for Louth, and Pinchbeck trailing with 234 points. Cleethorpes took a deservedly first place in this round, many thanks to Cleethorpes for the hospitality, making us feel very welcome.
Good Morning All Last week at the club we held a local PDI competition, Wildflowers and Open, there were some very good entries and especially well done to Keith Rossington who was placed first in both categories. The results are on our website. Thank you to Dave Turner who judged the Open, the first time he had judged live, and he did an excellent job with plenty of helpful comments and some good advice as regards processing our images. That was the last meeting at Church House until September as we now begin our summer break. There is however an LPA Battle, third round at Cleethorpes camera club next Tuesday, It is at 7.30 in their clubroom which is between 49 and 51 Reynolds Street DN35 7TU. Parking is best by the tennis courts. Regards Graham
Last night we held our last competition before our summer break. The PDI (Projected Digital Image) competition had the categories of "Local Wildflowers", and "Open". As this was a members competition, Dave Turner judged the "Open" category, this was his first time judging a competition, he had previewed the images, and made notes, and he gave some excellent critique, which will help members when submitting images in future competitions. After the break, Graham Harrison judged the "Local Wildflowers", a couple of the submitted entries were excellent, but unfortunately did not meet the category criteria so lost some points, flowers always make a good subject for a competition, and Graham had quite a task in judging the images. It was a superb evening with some amazing images, Keith Rossington took first place in both categories, the images he submitted show how much time, and effort he takes with his photography, well done Keith.
