It's Been A Year Now ...
Derek Smith • 4 January 2023
It has been just over a year now when I sold all my Olympus cameras, and lenses, and bought into the Fuji camera system with the purchase of a second-hand Fuji X-T3, and a second-hand lens the XF 35mm f/2 Fujinon, both delivered on Christmas Eve 2021. Adapting from the Olympus system has taken a while, getting used to the controls, and the colours has been a bit of a learning curve, but I am very pleased to have made the switch of camera systems.
Both of my Fuji cameras are X Mount APS-C mirrorless cameras, and the lenses are interchangeable between them. I like to think of my lenses as “tools” to achieve a particular result, each of my lenses has a focal length, or characteristic to capture a scene.
Fuji X-T3 – This is my principal camera, always feeling great in my hand, it is my workhorse, I have got used to the 26 MP APS-C X Trans sensor now, although it was quite a learning curve in the beginning. The analogue dials on the camera make for a great user experience, before turning the camera on I can set the ISO, shutter speed, and aperture. The Manual, Single, or Continuous focus can also be selected via the front switch. As an example, during a recent photo shoot in a studio, equipped with studio flash soft boxes, I was able to set the ISO 160, aperture f/8, and 1/125 shutter before even switching the camera on. It was then a matter of adjusting the power on the flash units to obtain the correct exposure. The camera handles well, is water resistant, and dustproof. The features that I particularly wanted, that the Olympus didn’t have, was the focus point joystick, and the UHS II dual SD cards. Not especially worried about SD card failure, but it helps my image editing workflow to have the cards set to record .jpeg on one, and RAW on the other. The “D” pad on the rear of the camera, and the various buttons are all configurable.
Fujinon XF 16-80mm f/4 lens – This stabilised lens is nearly always mounted on my Fuji X-T3, it’s an extremely good camera / lens combination. With the lens having a versatile full frame equivalent of 24-120mm, and a constant f/4 aperture throughout the zoom range, the lens performs well, focuses close to a subject, and produces high quality images in all weathers.
Fujinon XF 70-300mm f/4 – 5.6 lens – My telephoto zoom, stabilised, with an impressive performance, producing near macro close focus images. The lens compliments the 16-80mm zoom, making an ideal “twin lens” kit with the Fuji X-T3, coping with most scenarios including landscapes, and wildlife, the lens is also weather resistant and dust proof.
Fuji X-T20 – My “backup” camera, with a 24MP APS-C sensor, so much of an improvement ergonomically over the Sony A6300 I previously owned. Using this in combination with the Fuji X-T3 / XF 16-80mm zoom lens, and a prime lens mounted on the Fuji X-T20 to avoid lens changes. On recent outings this arrangement has served me well, using a wide-angle lens mounted on the X-T20, and the zoom lens on the X-T3. The Fuji X-T20 is also a great travel camera, being physically smaller, and lighter than the Fuji X-T3, with a useful “pop-up” flash. Because the Fuji X-T20 has only a single SD card slot, I usually take images in .jpeg format, with auto ISO selected as it lacks a dedicated ISO dial. All the buttons, and dials are configurable, so I have the AF-L button set to turn on the WiFi for image transfer, and the AEL button set to control the ISO, the “D” pad is configured the same as on the X-T3 camera for ease of switching between the cameras.
Fujinon XF 18-55mm f/2.8-4 lens – It may seem strange to have two 24 – 70mm full frame equivalent zoom lenses, but this is smaller, and lighter than the XF 16-80. This is the Fuji “kit” lens, but has far better resolution, and brighter aperture than most comparable “kit” lenses supplied by other camera manufacturers. The lens is stabilised and makes an excellent pairing with the Fuji X-T20.
Fujinon XF 50mm f/2 – In my opinion nothing beats a good prime lens, I enjoy my portraiture, and this lens is one of the best I’ve ever used. The lens is an unusual focal length, at about 75mm full frame equivalent, but I find this to be an ideal focal length especially for indoor, or studio shoots, I normally use this lens wide open at f/2 for natural light photoshoots. The lens is tiny, lightweight, and weatherproof.
Fujinon XF 35mm f/2 – Possibly my least used lens, nothing wrong with the lens, it’s a gem of a lens, tiny, lightweight, and weatherproof. Most of the photography experts recommend a “nifty fifty” 50mm focal length, and this 35mm is a full frame 50mm equivalent, and was the first Fuji lens I bought. I just don’t find that the 50mm focal length suits my photography, I had a 25mm (50mm equivalent) Olympus lens, but preferred either the Olympus pancake 17mm f/1.8 (34mm equivalent), or the Olympus 45mm f/1.8 lens (90mm equivalent).
TT Artisans 27mm AF f/2.8 – My newest purchase, an "autofocus" third-party lens, I needed a small “pancake” lens to make the Fuji X-T20 a truly “pocketable” camera. I have been delighted with the size, and performance of this lens, it’s not the sharpest lens I own, but at just £160 brand new I have no complaints. The focal length is just right at a 40mm full frame equivalent, and I’ve been able to use this for street photography. For travel as part of a lightweight system, I will have the Fuji X-T20, the XF 18-55mm zoom, and this the TT Artisans 27mm lens. I used the Fuji X-T20, and the 27mm lens, shot wide open at f/2.8, at the Buffet & Quiz night, obtaining some interesting “impromptu” shots of members, the images were very pleasing, taken in only the room lighting, the auto ISO of 3200 still produced a quality image, and that for me is a real testament of the Fuji camera system.
Samyang 12mm AF f/2 – I deliberated between buying the Fuji 10-24mm zoom wide-angle lens, or a wide-angle prime lens. I had a manual version of this lens with my Sony APS-C camera and was impressed with the image quality, just never used it much. I’m well pleased with this lens, at an 18mm full frame equivalent focal length, I have extensively used this lens for landscape photography, and it has been a real boon for the church photography project.
So that is the summation of my Fuji camera system, I’m very pleased with the image quality, and usability of the cameras, and lenses. Routinely I would select a camera, and lens combination to suit the task. The Fuji X-T3 camera, 16-80mm, and 70-300mm lenses for wildlife. For landscapes the Fuji X-T3, the 16-80mm zoom, the Fuji X-T20 with the Samyang 12mm. Portraiture, must be the Fuji X-T3, the 50mm prime, the 16-80mm zoom, and the Fuji X-T20 with the 35mm prime lens, giving options to suit indoor room sizes, or outdoor locations.
The big advantage of any interchangeable lens camera of course, is being able to tailor the lenses needed to suit the intended genre of photography.
Louth Photographic Society

Good Morning All, I visited Welton-Le-Wold nature reserve the other evening, a bit like a small Red Hill, there were a lot more wildflowers there than Red Hill but again not many insects, it may be better in the daytime? It is only about two miles from Louth as well. Last week was the LPA battle at Scunthorpe, only Dave Turner went taking our prints with him, not a good result for Louth, 1st Grimsby 258, 2nd Scunthorpe 245 and 3rd Louth 236, quite a difference from the first round but that's LPA battles. The next round is at Cleethorpes, it would be good if a few more members could attend. It will soon be our annual dinner at the Splash, any more deposits this week please and menu choices by midnight Wednesday please, otherwise you may go hungry. This week, Wednesday 18th June, we hold our monthly print competition, with the categories of “Britain's Coastline” and “Open” there has been a good entry so should be a good night. Regards Graham

Good Morning All Last week we visited Red Hill nature reserve, a very good turnout, but the wildlife didn't seem to know we were going, it's quite worrying though the lack of any butterflies or any other insects of any sorts. Hopefully we all got some photographs before we visited the Three horseshoes at Goulceby. I did photograph an unusual caterpillar but couldn't manage to identify it? This week we are away in the LPA Battles at Scunthorpe, for anyone planning to attend it is at the Pavilion, Bramley Crescent, Bottesford DN16 35N this Wednesday 11th at 7.30pm. I don't think I will make it due to work but hopefully some members will attend. There will be no meeting at Louth this week as members will be a way at Scunthorpe. The following week, Wednesday 18th June, we are holding the monthly print competition, if you can email your titles to Dave Turner by midnight Wednesday 11th if you have not already and bring your prints in on the night by 7 pm as no one is there to collect them this week. There are still a few deposits for the meal to come in yet, but in two week's time will be ok. If you can send your menu choices to me if you are attending by midnight 0n the 18th June please, as they need typing out and sending to the Splash two weeks in advance. Well, I think that's all, Regards Graham

When you use a digital camera for the first time it’s tempting to shoot in fully “Auto” mode, however if you continue using this mode you will be missing out on the full functionality, and capability of your camera. What I would suggest is to use one of the other modes, most photographers use the semi-automatic “Aperture Priority”, denoted by the A or Av on the mode dial, this is not as daunting as it may at first sound. There are 3 variables to obtain a properly exposed photograph, aperture, the lens opening letting the light onto the camera sensor, shutter speed, a slow 1/60 sec shutter speed allows a greater amount of light to reach the sensor than 1/250 second, and ISO, which adjusts the sensitivity of the sensor to light. Using “Aperture Priority” mode (A or Av) allows the photographer to take control over the camera settings for improved photos, and greater creative control. Switch to "Aperture Priority" mode and use the dial, or touchscreen to vary the lens opening size, displayed as an "F" number in the viewfinder or rear screen. A lower F number allows a greater amount of light to reach the sensor, reducing depth of field. A higher F number increases depth of field. To put this into perspective, I like to think of the aperture values in terms of bands: – f/1.2 – f/4 for portraits, or subject isolation, with a narrow “depth of field” f/4 – f/7.1 for wildlife, and architecture photos f/7.1 – f/16 produces great landscape images with a large “depth of field” ensuring the photo is sharp from the foreground to the distant background. These aperture values are not meant to be arbitrary, but rather to provide some guidance, the “depth of field” will vary depending on the focal length of the lens, the size of the sensor, and the distance of the photographer to the subject. The ISO value can be set to Auto ISO, or fixed at a set value, if the shutter speed drops below 1/60, the image may become “soft” the ISO can be increased to raise the shutter speed, thus ensuring a sharper image. The two images of Filey crazy golf course demonstrate the advantage of choosing an “Aperture Priority” over “Auto” mode. With the camera in “Auto” mode an aperture of f/4.5 was chosen by the camera, and the foreground rock becomes soft. Selecting “Aperture Priority”, and choosing f/8, the image is now sharp from the foreground to the background.

At Red Hill nature reserve last night members had the opportunity to practice their macro skills. The evening was bright, but with a chilly wind, both of which made macro photography fairly challenging. Macro photography needs patience and a wealth of subjects, we didn’t see any butterflies, only a couple of grasshoppers, and a ladybird. In the wildflower meadow the orchids hadn’t grown fully yet, there was plenty of Birds Foot Trefoil around, I managed to get a reasonable shot of a grasshopper, and a grass seed head, which are posted on here. It was good to see so many members attending; it was a chance to get down to ground level and see the beauty of macro / close up photography.

Good Morning All Bank Holiday Monday I went to Chambers wood in search of the Marsh Fritillary, a butterfly I had never seen before, it must have been a good year for them as there were quite a lot of them about in the meadows. Last week at the club we concentrated on macro and close up photography, showing a DVD the first half which should have given us all the technical knowledge we will need for this weeks outing to Red Hill. The second half Derek demonstrated with the help of his carved owl some of the things that had been shown in the DVD. You can go to Red Hill earlier if you like but if we say meet for 6.30pm at the reserve and I have checked the website for The Three Horseshoes at Goulceby and it says it is open until 10pm, so that's refreshments sorted. Red Hill is just over 8 miles from Louth, on the Wolds near Stenigot, the nearest postcode is LN11 9UE and a map is on the Lincolnshire wildlife trust's website. I will have my phone in case you get lost, but I can't guarantee a signal out there ( 07884316994 ). To find Red Hill if you head for Goulceby from Louth by going past the top end of Hubbards Hills you should find it ok. The following week we are away at Scunthorpe for round two of the LPA battles, more info next week for members who are planning to attend. Regards Graham

At our meeting last night an instructional DVD on “Macro Photography” was shown. The DVD material was quite detailed, very interesting, with lots of facts, and figures to consider. After the break, I attempted to unpack some of that detail with a practical demonstration using my own camera, (the OM Systems OM-1) a set of extension tubes, an LED light, and an on-camera flash. There’s lots to consider when beginning with macro photography, first of which I would say is get to know your camera, being able to adjust aperture, ISO, and watching the shutter speed if shooting in Aperture Priority mode to optimise exposure, and detail. Next, lens choice, select a lens with the closest focusing distance, if you have a dedicated macro lens then use that, otherwise a set of extension tubes may bring your camera closer to your subject. Choosing a subject, and lighting the subject with a LED light, or a camera flash speedlight will yield improved results. Don’t be afraid to experiment with settings, only by continual practice will the best images in this incredible genre, that is macro photography be realised, above all have fun. We meet at Red Hill Nature Reserve, Goulceby next week, Wednesday 4th June, to hopefully capture some amazing macro photography.

Good Morning all What a good night we had last Wednesday in the LPA Battle against Lincoln. We managed three twenties and overall won by twenty points, the second best score in the first round overall only bettered by Scunthorpe who we meet next. This week, Wednesday 28th May we are showing a DVD, "The Essential Guide to Close-up and Macro Photography". I was asked if I could get a speaker on the subject but there didn't seem to be any so a DVD should be a good substitute. We have a print competition coming up, with the categories of "Britain's Coastline" and "Open", it covers a very large area including all the islands. Due to outings and the LPA Battles it will not be easy getting our prints to Dave, so you can bring them this Wednesday or send an email with your entries to Dave as usual and bring them on the night if you don't see Dave beforehand. If you do this, you must send the titles to Dave to get on the scoresheet. I have confirmed our booking at the Splash on 4th July as I had twenty members and partners replying indicating they would be attending. I have paid the deposit so if you could give me £5 per person deposit when you next see me. They have also asked us to have menu choices decided two weeks before we go. Regards Graham

On Wednesday 28th May, the Society will be showing a DVD that hopefully will give advice on techniques, and skills for “Macro Photography”. The following Wednesday we will meet up at Red Hill to practice those skills, and techniques. So, what is “Macro Photography”? Wikipedia gives the following definition: "Macro photography is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life-size." To photograph small insects, or flowers larger than life-size a photographer will need to have a lens suitable for the purpose, a dedicated macro lens, a close focusing telephoto zoom lens, or the least expensive option is a set of extension tubes. With my Fuji camera system I used a 70-300mm zoom lens to capture these images, now that I am using the Olympus / OM System cameras I can buy a dedicated macro lens for about £400, however rather than spending a lot of money, I have opted to purchase a set of extension tubes, for £33, the tubes fit between the camera body and the lens enabling closer focusing to the subject. One of my techniques for close focusing is to obtain focus, either with auto focus, or manual focus, and gently rock back, and forward to fine tune the focus. A camera flash, or a portable LED light can also be used to highlight the subject.

Good Morning All Last week at the club we held our monthly PDI competition, with the categories of "Seasons" and "Open" judged by a new judge to the LPA, Dane Butler. There is a report on the evening on our blog and all the results are on our website under competitions. Well done to Steve Chapman who came first in both subjects. This week, Wednesday 21st May, we host Lincoln in the first round of the print LPA Battles judged by Brian Grommett. Don't forget, subs are now due, also keep going on your project, prime time if you are taking part. Regards Graham

The first round of the LPA Print Battles was held last night, Louth hosted Lincoln for this round. The judge for the evening was the excellent, quietly spoken, knowledgeable Brian Gromett. Brian reviewed the prints in his usual calm manner, holding back four prints from the Lincoln entries, and nine prints from Louth. The club room was packed for the evening, I was especially taken with three of the detailed insect prints submitted by Lincoln, and presumably by the same author, as the pastel like green backgrounds were in the same style. It was an excellent and close fought competition, well done to Lincoln, but after the points were added up Louth led by 20 points.