Is the Micro Four Thirds camera system dead?
Derek Smith • 1 June 2020
Is the Micro Four Thirds camera system dead?
They were the first interchangeable lens mirrorless cameras on the market, operation of the cameras is remarkably like that of a DLSR. The cameras are significantly lighter and smaller than a DSLR, because of the smaller sensor, and absence of the mirror box.
Advantages of the Micro Four Thirds system.
The early 16mp sensor had only 81 contrast detect focus points. (The newer 20.4mp sensor has 121 cross type phase detect focus points.)
Rumours
Rumours have been circulating online, predicting the imminent death of the Micro Four Thirds camera system. I believe that the rumours have originated because of corporate changes by both proponents of the Micro Four Thirds camera system. Panasonic have diversified into producing a full frame model alongside their existing Micro Four Thirds product line, and Olympus have closed camera production in South Korea, however a brand-new factory in Vietnam has recently been opened.
History
The 4/3 sensor (not m43) was designed for DSLR cameras with the aim of creating a new, original, and entirely digital standard, that allowed the interchange of lenses and bodies from different manufacturers. The Four-Thirds name was chosen because the sensor dimensions produce images with a 4:3 aspect ratio as opposed to the 3:2 aspect ratio of SLRs. The Four Thirds sensor is 50% of the width, and height of a full frame sensor.
Panasonic and Olympus jointly designed the mirrorless camera system of Micro Four Thirds with the 4/3 sensor and identical lens mount enabling lenses from either manufacturer to be used on any Micro Four Thirds body. Panasonic produced the very first mirrorless model in 2008, with Olympus following suit shortly after.
Both Olympus and Panasonic produce Micro Four Thirds cameras of exceptional high quality with professional standard lenses for more demanding photographers. The Micro Four Thirds system is fully mature, with an extensive range of lenses available from both manufacturers.
The Panasonic G9 camera, and Olympus’s OM-D E-M1X, and the OM-D E-M1 III, are examples of class leading designs that are winning many photographers over to the Micro Four Thirds system.
Size, and weight of the camera system, while some of the camera bodies may not be much smaller than a DSLR, the lenses are significantly smaller, and lighter, owing to the smaller sensor, making a Micro Four Thirds camera an ideal travelling companion.
Price, as the lenses are smaller the manufacturing costs can also be reduced.
Stabilisation, both Olympus, and Panasonic have stabilised bodies and / or lenses producing a sharper image at low shutter speeds.
An extensive range of lenses at different price points from both manufacturers.
Increased depth of field for a given aperture, to some this may be a disadvantage, but this is an advantage for me in macro photography, and portraiture.
Disadvantages of the Micro Four Thirds system.
Noise, a smaller sensor will produce more noise in low light situations, this can be mitigated using slower shutter speeds, with a low ISO setting, and utilising the image stabilisation properties of the camera.
Cropping, the smaller sensor produces a smaller image, so paying careful attention to composition, and framing will pay dividends.
In conclusion.
All camera manufacturers are having financial difficulties at this present time, the market is shrinking, everyone now has a camera phone, why buy a camera? Canon, and Nikon are investing huge sums of money into playing catch up with mirrorless camera systems. Sony, and Fuji are relatively stable with a mature camera, and lens line-up. So, in my opinion there is little reason to believe that Olympus, or Panasonic will leave the market place any time soon.
Micro Four Thirds is very much alive, and well.
All photos taken with an Olympus OM-D E-M5 III
Louth Photographic Society

A print competition was held last night with the categories of; "Monochrome" and "Open". Diane Seddon from Cleethorpes Camera Club was the judge for the evening, Diane is very skilled, and thorough in her judging, providing useful insight, and critique of the prints. Many of her comments centered around the best cropping of an image to optimise the subject within the frame, and giving the subject "room to breathe" in the framing. Congratulations to David Whitehouse placed first in the "Monochrome" category, with his superb rendering of a face sculpture, and Dave Turner placed first in the "Open" category with his stunning print of the sunrise over Whitby Harbour. Thanks to Diane Seddon for a great evening, and as she remarked at the end of the competition all the prints were of an extremely high standard. The Competition Page has been updated with the highest placed images, but currently the score sheets for the competition are unavailable.

Good Morning All Last week Dave Bennett came to the club again, it has been a while since we have seen his photography but well worth the wait. Dave's photographs were excellent and his story telling along with AV's made it a very good night. This week, Wednesday 15th October, we are holding a print competition, with the categories of "Mono" and "Open", our judge for the evening will be Diane Seddon AFIAP CPAGB BPE3* she is well qualified to judge our prints. The following week we are going to try a retro night again, with Transparencies taken prior to the year 2000, please let me know if you want to take part and have a time slot allotted, time will depend on the numbers wanting to take part. Regards Graham

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Last week we held our first PDI competition after the summer break, and what a superb evening it was. There were some excellent images submitted into the competition, and over half of the submitted entries were "held back" for awarding higher points, Tony Houlden was the judge for the evening. This week, Wednesday 24th September, Tony Gaskin will be giving an illustrated talk on his recent visit to the Maasai Mara game reserve in Kenya, it will be an interesting evening, with some stunning photography. Harry will be taking entries for our next PDI competition, with the categories of "Local 5 minutes From Your House", (in this case the "Local" applies to your house, not the 25 miles from Louth) and "Open". Harry is also taking entries for the LPA Competition, he's looking for 6 entries in this competition, from each member. I've been out, and about as usual, this photo is of an abandoned garage forecourt on the road to Spilsby.

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