Iconic Imagery
Derek Smith • 3 December 2021
What is it about an image that holds such a fascination for humankind? Now here I’m not talking about Uncle Bill’s, and Aunt Flo’s 200 holiday snaps of Brighton beach that we had to tolerate but iconic images that endure in the memory. Imagery is an incredible means of communication that strikes deep into our psyche, in mankind’s earliest times think of cave art, simple stick men surrounding a mammoth, and the rich Aboriginal rock painting, all tell a story that communicates better than the written word, no matter how eloquently, and skillfully written (much like this blog post really).
British medieval churches were richly decorated with Bible stories in order to communicate to a congregation who in the main were unable to read. When I visited Pompeii a few years ago I was stirred by the frescoes, showing early Roman life, I was amazed by how similar our modern day lives are to that of the Romans, a fresco showing a group of people sitting around talking, eating, and drinking wine very much like our own social lives.
Painters have long told stories through their art, think of Rembrandt and his “Night Watch” painting, his use of light leads the eye into the scene. Portraits like the Mona Lisa by Leonardo da Vinci, what is behind that enigmatic smile? Consider Turner’s use of light in his iconic painting “The Fighting Temeraire” simply wonderful, but also it is an encapsulation of history, the Temeraire was a wooden sailing warship that participated in the Battle of Trafalgar in 1805, and here she is being towed to be broken up on the Thames at Rotherhithe in 1838. More than this the painting depicts the passing of an era, the age of sail is over, and the age of steam has come.
Photography has now become the new medium for communication, and story telling. Sadly the story of human conflict looms large in a lot of the iconic images from the 20th century, Passchendaele, Dachau, the American flag being raised after Iwo Jima, a terrified naked 9 year old girl running away from a napalm bombing all sear into our minds, and once seen cannot be forgotten.
“Still photographs are the most powerful weapon in the world “ Eddie Adams
Time magazine published “100 most influential pictures of all time”, among these is the 1932 photo of 11 construction workers sitting on a beam high above New York eating their lunch. The 1969 image of “Man on the Moon”. The 1908 “Cotton Mill Girl” by Lewis Hine was instrumental in showing the plight of child labour. Photographs have the power to depict history, and also the power to change the future.
Advertising, who among us has not been sold a dream from an advertising photograph? Pictures sell products far more powerfully than words ever can, that gleaming car in a perfect scene, clothes on a model, the latest electronic gadget, all are sold with the “hidden” message that our lives will benefit from having this product.
A picture is worth more than a thousand words. What story will your photographs tell?
Louth Photographic Society

Good Morning All The Autumn colours at Sedbergh was one of my entries which sum up the time of year. Last week at the club we held our monthly print competition, with the categories of "Mono" and "Open". There was a very good entry with 27 prints in each subject, well done to Derek Smith for a first in the Mono and Robin Begley for a first in the Open, all the results are on our website. This week, Wednesday 28th October, all being well, I am informed that the N&EMPF Exhibition print show was a bit behind schedule, it will hopefully be finished by now but if not, Derek will let us know, and we will do mini lectures instead. Derek, and Harry have prepared mini lectures on their favourite camera systems, if a couple of other members could prepare a mini lecture on the same theme that would be most helpful. The LPA POTY deadline date is nearly upon us; they are panels of three prints as we discussed last Wednesday. If you want to enter either attend the club PDI competition on 1 st November at Nettleton village hall or bring your prints in on Wednesday and hand them to a member who is going and will take them for you. Regards Graham

Our Society held a print competition last night, the set subject category was "Mono", whereby the prints were black and white, or single tone images. The "Open" category prints consisted of any subject of the authors choice, and the judge for the evening was Grahame Dunkin. It was an exciting competition, with 27 prints in each category, the standard was incredibly high, giving Grahame a difficult time of determining the points for each print and choosing the top three prints in each category. Grahame judges very well, he giving a relaxed, and helpful critique of each image. The website Competition page has been updated with the results of the competition. Our next meeting will be held on the 28th October, and should be a showing of the N&EMPF Exhibition prints, however if the Exhibition prints are not available, I would ask members to think about giving a talk on their "Favourite Camera Systems" just showing what they shoot with, and providing a few sample images.

Today was the LPA Battle finals day at Nettleham, it was the last one in its present form, and six clubs including Louth made the final. The judge was Alan Young from Rolls Royce camera club, Derby. Alan was quite straight to the point and as he said there were so many good prints in the competition, he wouldn't be marking low and would have quite a task giving scores to the best ones. Alan was quick to see anything he didn't think was right with the prints and was looking for more than just a record photograph. Louth had a very good start with our first three prints being held back, it then didn't go so well but we did have six hold backs altogether which were Sleeping-David Whitehouse 18 points, Morning sun Whitby-Dave Turner 18 points, Hairy shield bug-Graham Harrison 17 points, Evening light Chapel St Leonards -Tony Gaskins 17 points, Cosmos-Harry Kerman 17 points and Evening Light Whitby Harbour -Tony Gaskins 18 points. 1 st place - Axholme - 256 2 nd place - Cleethorpes - 255 3 rd place - Scunthorpe - 248 4 th place - Grantham - 246 5 th place - Louth - 244 6 th place - Lincoln - 242

Good Morning, All, Last week at the club Steve West gave a presentation on the history of Louth's cinema's, Steve started at the beginning in 1896 with the original Louth Photographic Society being involved with showing films in what was thought to be Westgate Fields. Steve went through all the other locations ending up with just the one cinema now on Cannon Street. There is a report on our blog page. This week, Wednesday 21st October, we will hold a monthly print competition, with the categories of "Mono" and "Open" judged by the LPA president Grahame Dunkin. There are just over 50 prints to be judged so should be a very good night. Today (Sunday 18th) is the LPA Print Battle final at Nettleham, the judging starts at 1pm. Regards Graham

Last night, Steve West gave a fascinating illustrated presentation on the long history of cinema, and stage plays in Louth. In the late 1890s some films were shown at various locations, in 1910 a “tent” cinema was showing films on Westgate Fields. During 1913 a site was purchased of 2 retail units, on Eastgate, the retail units were demolished, and the Palace cinema / theatre was constructed on the site ready for opening in 1914. During the interwar years many plays were staged at the Palace, and Steve has collected many of the original programs from this era. The current Playhouse was constructed in Canon Street in 1921 in the “art deco” style, some poor quality housing was demolished to make way for this new cinema. The Playhouse, and the Palace both continued in operation until 1960 when the Palace was sold, and the building was converted into a Fine Fare supermarket. During the 1970s when Bingo became popular, part of the Playhouse was used as a Bingo hall, with the reception area restyled to suit the new usage. The Playhouse was converted into a multi-screen cinema when purchased by the Parkway Cinema group in the mid 1990s. Louth is extremely fortunate to have retained a viable cinema in the town, many thanks to Steve West for a very polished presentation.

Good Morning All Sand racing starts again this week at Mablethorpe, this Sunday is practice day, times are on their website. Last week at the club we held a local competition, with the categories of: "Straight out of the camera" and "Open", there was a very good entry in each subject with Tony Gaskins having the task of judging the unedited ones and Robin Begley judging the Open. There is a full report on our website but well done to Harry for first place in the Straight out of the camera and Keith Rossington for first place in the Open. This week, Wednesday 14th, Steve West will be our speaker, talking and showing PDI's on the subject of the Louth cinema. The following week will be a print competition, with the categories of "Mono" and "Open", you need to bring your prints in this week and send an email to Dave Turner with your titles. Regards Graham

At our meeting last night we held a PDI (printed digital image) competition, with the categories of "Local Unedited", and "Open". As this was a members competition one of our members judged the competition, Tony Gaskins was our first judge for the "Local Unedited" category, these were .jpg images taken straight from the camera, without any editing, apart from the resizing for projection. Presenting an image such as this in a competition is quite a difficult task, the photographer has to ensure that the correct exposure is chosen, the composition, and subject matter has to be precise, everything done in camera. Normally for competition entries, a degree of post processing would be involved, simple edits like toning down highlights, or even removing extraneous objects from a scene, emphasising a moody sky, all not allowed. Tony Gaskins did an excellent job with his judging, providing clear and concise critique of the images presented, he "held back" 8 images for further consideration, awarding higher points, and finally choosing the top three placements. After the break it was Robin Begley's turn to judge the "Open" category, as these were post process edited images the standard was higher than the unedited images, but surprisingly not markedly so. Robin is potentially hoping to become a N&EMPF approved judge, and he had a different style, able to suggest edits that could have improved an image, again his critique was clear and concise communicating well with members. Robin chose 8 images for further consideration, awarding higher points, and finally selecting the top three placements. It was a fabulous, and interesting competition with excellent images, many thanks to both our judges, it's not an easy job, probably nearly as bad as being a referee in a football match!! Many thanks to both our judges, well done.

Last night Lee Dixon from Cleethorpes Camera Club gave his first ever presentation to a camera club, which we were privileged to view. His presentation consisted of portraiture, creative, and his genre of choice; wildlife. Lee is an extremely talented photographer, with a highly creative portfolio, his portraits are quite atmospheric, unusual, and capture the essence of the model, and scene. For Lee’s creative work, he buys props from charity shops, often very cheaply, reusing those props in various scenes. For his composite work he will often take one of his photos of a room, and blend it with a subject in Photoshop using “blend” modes. For wildlife he visited Lake Kerkini in Greece to photograph the Pelicans, if the sky is a little on the bland side, Lee will often over expose the image resulting in a striking white background to the subject. On safari in Africa Lee showed us some amazing images of the wildlife, the close-up images of elephants, the wildebeest migration, and this stunning image of a cheetah. Lee was ably assisted by Mike Bennett. More of Lee’s work can be found on his website: https://leedixonphoto.co.uk/ Lee his kindly given permission for his images to be used in this post. Many thanks to Lee, and Mike for an amazing evening.


