Focus on Focusing
Derek Smith • 1 June 2022
Digital cameras use different methods of autofocus to obtain sharp focus on the subject.
DSLR cameras use a phase detect focus module below the sensor to compare light from a sub-mirror split into two separate images by prisms and micro-lenses in the AF sensor unit, each aimed at two lines on the AF sensor corresponding to the active AF point. If the images hit the two lines precisely, the subject is in focus, any distance between the two images tells the camera how much the lens is out of focus, the lens is driven until the images match, and accurate focus is thus achieved. In “Live View” many DSLR cameras use the contrast detect focusing pixels directly on the sensor.
Mirrorless cameras can use a contrast detection focus method, a phase detect autofocus, or a combination of both called a hybrid autofocus system, but without mirrors, or prisms, all the focus points are located directly on the sensor.
Contrast detect autofocus is the simplest system, it compares contrast areas within the subject, and moves the lens focusing elements backwards, and forwards until the highest contrast is achieved. Contrast autofocus is extremely accurate, but can be slow.
Phase detection autofocus (PDAF) pixel pairs are incorporated into the digital sensor and consist of partially covered sensors receiving light from either side of the lens, left, and right pairs. The camera compares both, and when they match, knows that the subject is in focus. If the subject is out of focus, it calculates how much it needs to adjust the lens to bring the subject into focus and drives the lens there.
Hybrid autofocus uses the phase detection to achieve close focus and finalises accurate focus with contrast detection.
Now, knowing all the technical details of camera autofocus is good, but how best to employ that knowledge? The best advice I can give is to get to know the various settings of autofocus that your camera has, and I shall use some images to illustrate those settings that I use.
Portraits – a lot of digital cameras have “face and eye” detect modes, and I’ve used this mode to good effect for photographing this model. My camera model has four autofocus selections, single point, zone, wide & tracking, and finally “all”, for this shot I used the wide & tracking selection, with the “face and eye” detection turned on to focus accurately on the eyes. Marika was photographed with the Fuji X-T20, and the XF50mm f/2 (75mm ff) lens f/4, 1/80, ISO 400
Derelict building – for this shot I used single point autofocus, I was taking practice images with my new Fuji X-T3 camera, and the XF35mm f/2 (50mm ff) lens, f/11, 1/52, ISO 1000. This photo is a technical failure, not being as sharp as it could have been, I needed a faster shutter speed, and should have either widened the aperture to f/8 or increased the ISO to 1600 to eliminate the shutter shake.
Robin – I was very pleased with this image, taken with the Fuji X-T3, and the XF70 – 300mm (105 – 450mm ff) using single point autofocus on the eye of the bird. Photo details: 434mm ff equivalent, f/8, 1/280, ISO 800.
Cadwell – my first outing with the Fuji X-T3, and the XF70 – 300mm lens, using the wide & tracking selection, and continuous autofocus, following the bikes with the camera as they come past, a technique known as “panning”. Photo details: 126mm ff equivalent, f/5.6, 1/300, ISO 200.
All images were captured in Aperture Priority mode, with the aperture and ISO adjusted to give the correct shutter speed (hopefully) for the scene. I very rarely use the “All” selection of autofocus as the camera focus can sometimes lock onto unwanted areas in the frame, a blade of grass in the foreground of a landscape perhaps, or the nearest tree. For a landscape scene, I usually use a single point autofocus point and focus a third of the way into the scene.
For macro images autofocus can be of use, but many photographers prefer to use manual focus, be aware that many lenses are “focus by wire”, which means that the lens focus ring does not control the focusing element within the lens directly, so there may well be a lag in obtaining focus. I find that manual focusing aids such as magnification, and / or focus peaking work well, and instead of turning the focus ring “rock” the camera physically slowly back and forwards until sharp focus is obtained.
DSLR cameras use a phase detect focus module below the sensor to compare light from a sub-mirror split into two separate images by prisms and micro-lenses in the AF sensor unit, each aimed at two lines on the AF sensor corresponding to the active AF point. If the images hit the two lines precisely, the subject is in focus, any distance between the two images tells the camera how much the lens is out of focus, the lens is driven until the images match, and accurate focus is thus achieved. In “Live View” many DSLR cameras use the contrast detect focusing pixels directly on the sensor.
Mirrorless cameras can use a contrast detection focus method, a phase detect autofocus, or a combination of both called a hybrid autofocus system, but without mirrors, or prisms, all the focus points are located directly on the sensor.
Contrast detect autofocus is the simplest system, it compares contrast areas within the subject, and moves the lens focusing elements backwards, and forwards until the highest contrast is achieved. Contrast autofocus is extremely accurate, but can be slow.
Phase detection autofocus (PDAF) pixel pairs are incorporated into the digital sensor and consist of partially covered sensors receiving light from either side of the lens, left, and right pairs. The camera compares both, and when they match, knows that the subject is in focus. If the subject is out of focus, it calculates how much it needs to adjust the lens to bring the subject into focus and drives the lens there.
Hybrid autofocus uses the phase detection to achieve close focus and finalises accurate focus with contrast detection.
Now, knowing all the technical details of camera autofocus is good, but how best to employ that knowledge? The best advice I can give is to get to know the various settings of autofocus that your camera has, and I shall use some images to illustrate those settings that I use.
Portraits – a lot of digital cameras have “face and eye” detect modes, and I’ve used this mode to good effect for photographing this model. My camera model has four autofocus selections, single point, zone, wide & tracking, and finally “all”, for this shot I used the wide & tracking selection, with the “face and eye” detection turned on to focus accurately on the eyes. Marika was photographed with the Fuji X-T20, and the XF50mm f/2 (75mm ff) lens f/4, 1/80, ISO 400
Derelict building – for this shot I used single point autofocus, I was taking practice images with my new Fuji X-T3 camera, and the XF35mm f/2 (50mm ff) lens, f/11, 1/52, ISO 1000. This photo is a technical failure, not being as sharp as it could have been, I needed a faster shutter speed, and should have either widened the aperture to f/8 or increased the ISO to 1600 to eliminate the shutter shake.
Robin – I was very pleased with this image, taken with the Fuji X-T3, and the XF70 – 300mm (105 – 450mm ff) using single point autofocus on the eye of the bird. Photo details: 434mm ff equivalent, f/8, 1/280, ISO 800.
Cadwell – my first outing with the Fuji X-T3, and the XF70 – 300mm lens, using the wide & tracking selection, and continuous autofocus, following the bikes with the camera as they come past, a technique known as “panning”. Photo details: 126mm ff equivalent, f/5.6, 1/300, ISO 200.
All images were captured in Aperture Priority mode, with the aperture and ISO adjusted to give the correct shutter speed (hopefully) for the scene. I very rarely use the “All” selection of autofocus as the camera focus can sometimes lock onto unwanted areas in the frame, a blade of grass in the foreground of a landscape perhaps, or the nearest tree. For a landscape scene, I usually use a single point autofocus point and focus a third of the way into the scene.
For macro images autofocus can be of use, but many photographers prefer to use manual focus, be aware that many lenses are “focus by wire”, which means that the lens focus ring does not control the focusing element within the lens directly, so there may well be a lag in obtaining focus. I find that manual focusing aids such as magnification, and / or focus peaking work well, and instead of turning the focus ring “rock” the camera physically slowly back and forwards until sharp focus is obtained.
Louth Photographic Society

Good Morning All Last week at the club I gave you a PDI (Projected Digital Image) presentation showing photographs I had taken on my travels last year, following up with some past and present photographs of Binbrook. I hope you all enjoyed the evening and maybe saw parts of England you hadn't seen before. This week, Wednesday 4th March, our member Steve Chapman will be showing us photographs he has taken. This is Steve's first time showing the club his work so will be a very good night. Harry is now accepting your PDI's for the next competition, with the categories of "Architectural Detail" and "Open". The closing date is Friday 6th March. Regards Graham

It was "President's Night" with Graham Harrison showing some of his images from short breaks, and holidays around the UK. Graham rented a holiday cottage in Newbiggin, Northumberland, and showed many of his photos from that area, including a visit to Lindisfarne, where the castle on the rocky outcrop made for an impressive photo. In Suffolk, Graham visited Pakefield, and photographed the colourful beach huts at the top of the shingle beach, he also showed several photos from the Lake District. One of my favourite photos from last night was St. Mary's Lighthouse, Whitley Bay, with the groins in juxtaposition. Thank you Graham for a very interesting evening.

Good Morning All Last week at the club Harry and Chris gave us an insight into how our exhibition preparation is going, we have a lot of historical photos to go on show and there may be room for some more up to date ones but Harry and Chris will see how much room we have left when they start putting it all together at the museum. I also took the time to find out what you wanted in the new program, filling in the competition subjects and outings. This week, Wednesday 25th February, it is the Presidents night, so that's my night and I will be showing you what I got up to in 2025. The rainbow at Brough castle gives you idea of one area I visited. Harry is now accepting entries for the next PDI competition, with the categories of "Architectural Detail" and "Open". The new program is nearly done and to give you a chance to get ready for the first two competitions in May and June the subjects are May, PDI comp - Landscapes with water and Open and June, Print competition, Trees and Open. Regards Graham

Good Morning All Last week at the club we held our Print Of The Year (POTY) competition, it's one of our highlights of the year and judged by Grahame Dunkin, it proved to be an excellent night with some very good prints on show. The results are on our website under competitions but the highlights were Dave Turner being placed first in the Pictorial, landscape and best Mono print in show; Robin Begley, First in the Record section, Keith Rossington first place in Portrait, Harry Kerman first in the photo/journalism (including Street) and myself taking first place in the Nature as well as overall Print of the Year. My photograph of a Hairy Shield bug was taken at Chambers wood on a camera club outing. This week, Wednesday 19th February, we are sorting out Prints for our 70th anniversary exhibition at Louth Museum. Please bring along any local prints you may have and maybe a few further afield for selection. Please also bring along any prints you may have that you think will be ok for the LPA Foster challenge and LPA Battles. They need to be mounted on a 500mm x 400mm mount and a maximum print size of A3. Don't forget to take a photograph of water if you are doing this years project, no real excuses at the moment. Regards Graham

Our highlight competition, Print Of The Year (POTY) competition was held last night, with our judge Grahame Dunkin giving his experienced critique on the excellent images submitted. Congratulations to Dave Turner for his Monochrome image of the year: West Pier Watchtower - Whitby, and Graham Harrison for his Colour image: Hairy Shield Bug.

Good Morning All Last week we went to have a look at the Lancaster sculpture at Norton Disney, it is open for visitors at certain times and although work is still ongoing the main Lancaster is finished and a car park in place. The sculpture is full size weighing 100 tons and honours WW2 RAF crews. Last week at the club Derek Smith ran an editing night, members were asked to bring their laptops in and Derek gave us all an SD card with some images to edit and information regarding the free editing software. A different and interesting night and hopefully we all learnt something and anyone new to photography would have learnt quite a lot. Thank you Derek for running the evening. This week, Wednesday 11th February, we have one of the clubs yearly highlights, the Print Of The Year (POTY) competition to be judged by Grahame Dunkin, all the entries are now in and you should have checked the scoresheets to make sure yours are included. Dave Turner is also asking for prints to enter into the Foster Challenge and LPA Print Battles. He will ask to use prints that are in the print of the year but if you have any prints that you think would be good to enter in the two competitions please bring them and hand them into Dave Turner. The following week we are having an evening collecting everything in for our exhibition at the Louth museum, if you can sort out any prints especially local prints that could go into our exhibition please bring them in on the 18th February. Regards Graham

Last Sunday I was in Stockton on Tees working with Izzy, a favourite model of mine she enjoys cosplay, that’s dressing up as a character from Marvel, Hasbro, or film titles. This photo is of Fey, a woodland sprite, pictured against a woodland backdrop that I bought for the photoshoot. I stayed overnight at a Premier Inn, and in the morning drove to Staithes, as I had always wanted to visit this fishing village, Staithes in the February rain wasn’t much fun, and the tide was out, but I did manage to take a few photos, and I captured one for the “Water” project so I was pleased with that. I was quite surprised how vibrant the colours were in the drizzle, and misty light. Driving back over the North Yorkshire Moors in rain, and fog, didn’t allow for much photography either. Yesterday, walking along the harbour front in Bridlington the high tide, and strong winds had thrown lots of debris onto the promenade, seaweed, nets, tree branches, and cuttlefish kept council workmen busy clearing up the mess. With the right clothing, and a weatherproof camera photography can still be enjoyed even in poor conditions.

A photo editing workshop was held last night, with members bringing in their laptops, and post processing sample images. Members were able to practice processing bracketed, and focus stacked images. Simple editing tasks of cloning unwanted items from images, cropping, and resizing of images were shown. The excellent FastStone photo viewer, and editor was able to accomplish most tasks apart from developing of RAW images, this free software is a “must have” for those with Windows computers. The Affinity photo editor has now been acquired by Canva, and the changes applied by Canva have made the software very confusing to use, and on my 14” Lenovo Thinkpad, it was very difficult to view the master layer to apply adjustments. PhotoScape X is a simplistic photo editor, for all that the software was easy to use, and the RAW processing was seamless. It was an interesting evening, and hopefully members will have attained some new skills in post processing, some of the images edited are shown here.

Good morning All I did manage to get to visit Gibraltar Point last week, very few birds to photograph at this time of year but I took a few and a Grey Squirrel. Last week member Dave Mann showed us photographs from his visit to Beamish, it's a great day out and Dave went round most of it and showed us some photographs from the new 1950's town as well as the farm, pit village, town and trains. Thank you Dave, and Harry for helping out with refreshments. This week, Wednesday 4th February, Derek is running an editing night, he has sent us all information on what we could download, if you have a laptop remember to bring it along. Print of the year is fast approaching, if you are entering make sure you send Dave Turner a list of your entries with which subject they are in and bring your prints along this week. Regards Graham





