Editing Software
Derek Smith • 9 September 2025
A big thank you for the positive comments on my recent “Should I shoot in RAW or .jpg” blog.
Following on from that blog I wanted to share with you the image editing software that I use in editing my images.
FastStone (Windows only)
I believe that this is an essential tool for every photographer to download, and use. The software is completely free to download, FastStone does ask for a donation, which helps to develop the software. The editing tools are easy to use, with easy to learn keyboard short cuts.
Predominantly, the software is for viewing, and editing .jpg files only, RAW images can be viewed, but in a restricted resolution.
The clone, and healing tools on FastStone are exceptionally good, I often use the cloning tool, then follow up with the healing brush to smooth over any harsh lines from the cloning. Cropping, and resizing images again is very easy with FastStone, open a file of images, select the image you want to crop, click “X” on the keyboard, and a range of crop sizes are available. For competitions I always use FastStone to resize my images, “Ctrl + R” to resize to say 1920px by 1200px for our projector size, “Ctrl + S” to save. The FastStone default colour space photometric is “YCbCr”, which results in a 2 or 3 times smaller file size, I prefer to click the “options” tab on the save dialog box, and select “RGB”.
In preparing images for a recent competition, with a resized 1200px by 1200px photo, FastStone “YCbCr” photometric produced a file size of 871KB, switching to “RGB” produced a file size of 1752KB, and all the steps can be viewed on the attached screenshots.
Serif Affinity Photo (Windows and Apple Mac)
This is a comprehensive editing suite for .jpg and RAW, there are many YouTube videos to teach the tools available. I like the perspective tool, ideal for straightening buildings, and the inpainting tool is very useful to fill in gaps in a background, or blemishes in the skin. Compositing images can be readily accomplished, with different layers.
Affinity Photo is available as a one-time purchase – currently £67.99
Luminar Neo (Windows and Apple Mac)
This is my preferred editing suite, able to edit both .jpg, and RAW images. The main benefit of the software for me is the ability to batch edit my images. Often, I will be out with my camera, and return with several hundred images, and I can edit the first image of the batch, and copy / paste to succeeding images from the ribbon of images at the foot of the software. The masking brush tools are so easy to use, enabling direct painting in of exposure, sharpness, or any other effect into the image. Take an example of a bird, or insect against a dark background, I can just click the exposure tool, select the mask, and paint the subject directly with the mask, then use the slider to increase the exposure, and any of the tool effects can be painted in the same manner, shadows, highlights, and sharpening.
Luminar Neo is available as a one-time purchase, or subscription. Currently a perpetual licence is on sale for £99.
Other Editing Suites
GIMP, and DarkTable are both cross platform .jpg, and RAW image editors, and completely free to download and use.
Capture One Pro - Superior image quality, precision editing, and best-in-class tethering, so their website states. £111 annual subscription.
DxO Photolab 9 - The world’s most advanced, end-to-end, RAW photo editing software. £219.99 one-time purchase.
Adobe Photoshop - Is a raster graphics editor developed and published by Adobe for Windows and macOS. Subscription model £21.98 monthly.
Adobe Lightroom - Make your photos look better than ever, no matter your skill level. New Quick Actions give you creative assistance tailored to your unique photo. And with Generative Remove, you can clean up unwanted distractions in a touch.
Plans starting at £11.99 monthly incl. VAT for the annual billed monthly plan.
Corel Paintshop Pro - Enjoy powerful and complete editing of RAW files with a great variety of pro-level tools available in the new AfterShot Lab, now inside PaintShop Pro. There is no need for extra applications or for running several editing processes in parallel, with timesaving and streamlined RAW image editing. Full licence £89.99.
Conclusion
Photo editing can be a rewarding experience with the correct tools but learning how to get the best from your software, and images can be a steep learning curve. YouTube videos can really be your friend here, Anthony Turnham, and Jim Nix have taught me a lot about Luminar Neo – and I’m still learning!!
Also take advantage of any 30 day trial offers, you have to find software that you can work with, and that can speed up your workflow.
Louth Photographic Society

At our meeting last night we held a PDI (printed digital image) competition, with the categories of "Local Unedited", and "Open". As this was a members competition one of our members judged the competition, Tony Gaskins was our first judge for the "Local Unedited" category, these were .jpg images taken straight from the camera, without any editing, apart from the resizing for projection. Presenting an image such as this in a competition is quite a difficult task, the photographer has to ensure that the correct exposure is chosen, the composition, and subject matter has to be precise, everything done in camera. Normally for competition entries, a degree of post processing would be involved, simple edits like toning down highlights, or even removing extraneous objects from a scene, emphasising a moody sky, all not allowed. Tony Gaskins did an excellent job with his judging, providing clear and concise critique of the images presented, he "held back" 8 images for further consideration, awarding higher points, and finally choosing the top three placements. After the break it was Robin Begley's turn to judge the "Open" category, as these were post process edited images the standard was higher than the unedited images, but surprisingly not markedly so. Robin is potentially hoping to become a N&EMPF approved judge, and he had a different style, able to suggest edits that could have improved an image, again his critique was clear and concise communicating well with members. Robin chose 8 images for further consideration, awarding higher points, and finally selecting the top three placements. It was a fabulous, and interesting competition with excellent images, many thanks to both our judges, it's not an easy job, probably nearly as bad as being a referee in a football match!! Many thanks to both our judges, well done.

Last night Lee Dixon from Cleethorpes Camera Club gave his first ever presentation to a camera club, which we were privileged to view. His presentation consisted of portraiture, creative, and his genre of choice; wildlife. Lee is an extremely talented photographer, with a highly creative portfolio, his portraits are quite atmospheric, unusual, and capture the essence of the model, and scene. For Lee’s creative work, he buys props from charity shops, often very cheaply, reusing those props in various scenes. For his composite work he will often take one of his photos of a room, and blend it with a subject in Photoshop using “blend” modes. For wildlife he visited Lake Kerkini in Greece to photograph the Pelicans, if the sky is a little on the bland side, Lee will often over expose the image resulting in a striking white background to the subject. On safari in Africa Lee showed us some amazing images of the wildlife, the close-up images of elephants, the wildebeest migration, and this stunning image of a cheetah. Lee was ably assisted by Mike Bennett. More of Lee’s work can be found on his website: https://leedixonphoto.co.uk/ Lee his kindly given permission for his images to be used in this post. Many thanks to Lee, and Mike for an amazing evening.

Good Morning All Last week at the club we held our monthly PDI competition, with the categories of "Objects in the Air" and "Open", there was a very high-quality entry in both competitions and judge Mike Bennett had quite a job on his hands scoring the entries. Well, done to Dave Turner for first place in the Objects in the Air and Tony Gaskins for first place in the Open. All the results are on our website. This week, Wednesday 30th September, our speaker will be Lee Dixon from Cleethorpes Camera Club showing us his natural history, Creative and many other photographs he has taken. It will be the first time Lee has shown his photographs at our club. If anyone else wants to enter PDI's in the 2027 N&EMPF Exhibition, the deadline is this Wednesday at midnight. Harry is still taking entries for the PDI competition, with the categories of "Local Straight from Camera" (unedited .jpg), and "Open", to be held on Wednesday 7th October. Regards Graham

At the meeting last night Mike Bennett judged our competition with the categories of “Objects in the Air”, and “Open”. The standard of entries was excellent, and it gave Mike a tough task of judging the images, Mike gave some very good critique of the images displayed, the feedback helps members to develop compositional skills. Dave Turner was awarded first place for his image of the “Tiger Club Display Team” in the “Objects in the Air” category. Tony Gaskins was awarded first place for his image of the “Spectacular Rustgill” in the “Open” category.

Good Morning All, Last week at the club we watched the N&EMPF PDI Exhibition for 2026, it was a very good evening viewing very high standard images from all over the East Midlands. Dave Turner and I did manage to get images accepted; there is a full report on our website. This week, Wednesday 23rd September, we will hold our monthly PDI competition, with the categories of "Objects in the Air" and "Open", please send entries to Harry by midnight tonight. Harry is also accepting images for the PDI competition, with the categories of "Local Straight out of the Camera (only resizing permitted)" and "Open". Regards Graham

Members were shown the 2026 N&EMPF PDI Exhibition video last night with all of the accepted PDI images in the first part, and after the break the awarded PDI images. There were some stunning images on view, and Louth was successful in having 3 PDI images accepted, Graham Harrison with his image of a Stonechat, and Dave Turner with his portrait of Paul Rudd, and his monochrome image of Kings Cross railway station "Going Down". Overall it was a good inspirational evening.

Good Morning All Last week at the club members had 15 minutes to show what they had done over the summer. It was a very interesting evening with eight members taking part. There were many locations on show and as usual some excellent photography. There is a full report on our blog. This week, Wednesday 16th September, we will be showing the N&EMPF exhibition, this is part one showing all the PDI's that were accepted. This is the highest standard of photography we as individuals take part in as a club. Members sent around 50 entries but only 3 were accepted. If you are inspired to enter the 2027 Exhibition after seeing the show, I send the clubs entries and I can give you more information. Closing date is the end of September. The Maximum size for N&EMPF is 1600 x 1200 3MB sRGB Harry is still taking entries for the monthly PDI competition, with the categories of "Objects in the Air" and "Open". Harry did ask about what can be accepted, and we couldn't really say as long as it's an object in the Air. The best way is to look up the definition of an object first. Harry is also accepting entries for the Local and Open competition in October. Robin is going to judge the Open competition, does anyone fancy judging the "Straight from the camera" category? Regards Graham

The Louth Photographic Society has returned after the summer break. It was an incredible return, with members providing us with some stunning images from over the summer break. A full, and varied smorgasbord of well executed photos, many of us visited Whitby, the North Yorkshire Moors Railway, and further north images from Staithes, and Sandbanks. Tony showed us his long exposure minimalist calming coastal scenes, from the Lincolnshire coast, and Whitby.. Chris brought us some beautiful photos taken of local churches, many of which many of us have never seen. Now I’ve never really seen the attraction of an expensive Leica camera, but when Mark showed his photos from his visit to the German Leica factory in Wetzlar, I now understand, camera bodies, and lenses milled from solid blocks of aluminium, hand polished, hand finished lens glass, and textured leather applied to the camera body, not a robot in sight, just craftsmen, and women making a superb photographic instrument. Sue brought us “pink” ladies driving tractors to raise money for cancer research. Last but definitely not least Richard showed his monochrome, and infrared images of trees, his compositions, and photographic eye bring these tree studies to life, we appreciate them even if some judges don’t understand. Many thanks to all of those members who contributed.






