Editing Images

Derek Smith • 22 May 2021
Following on from my previous blog posts, today I would like to discuss editing the images that you have carefully, and thoughtfully taken.

Naturally an image editing software will be needed, on a smartphone or tablet several good editing suites are available some free, and some paid for, I find Snapseed useful on a smartphone. A basic free image editor for Windows is FastStone, which I enjoy using because of the keyboard shortcuts. Darktable, RawTherapee, and The Gimp, are free “open source” image editors which can yield good results on Windows, Mac, and Linux platforms. I have found the Darktable software very useful, and there are some excellent tutorials for this editing suite. Paid software such as Affinity, Luminar AI, Adobe Elements, and Capture One, have a single payment model, whereas Adobe has a monthly subscription model. I would suggest finding a trial version of the paid software and finding your way around the program with the aid of various YouTube, or Vimeo tutorial videos.

Now that you have the software on your preferred device, it is important to realise that there is not a “right way” to edit an image, however I would seriously advocate that you begin editing an image with the crop tool. Look carefully at the image, would the aspect ratio benefit from amending, a portrait may be improved by choosing a square 1:1 ratio, a landscape image may require a change to a 16:9 aspect, or even a freehand letterbox style. Apply any lens corrections needed, and adjust any verticals, or wonky horizon, clone or crop out any distractions.

Once the image has been tidied, now is the time to move onto the exposure, levels, saturation, and clarity adjustments, again no “right way” to do this, try not to overcook the image, again take time, possibly walk away from editing the image and return to it with fresh eyes.

More advanced techniques involve adding a graduated filter to tone down a bright area of an image, use the dodge, and burn tool to locally lighten, or darken parts of the image. A word on sharpening an image, rather than sharpen the whole image, termed a global adjustment, use a mask to sharpen just a part of the image, a photo of a bird in a tree may benefit from sharpening, but the tree is best left unsharpened.

Having a RAW image to work with leaves plenty of latitude to recover details in the shadows using the highlights, and shadows adjustments, whereas a jpg image may not offer the same degree of latitude. A RAW image can look very “flat” when opened in some photo editors, Affinity, and Darktable apply an initial tone curve to the image by default to alleviate this, but if you prefer the “flat” look, this can be turned off in software preferences.

Some photographers like to create a duplicate of the image in the photo editing software, so that a copy of the original image is retained, I don’t do this for 2 reasons, the first is that the editing software I use is non-destructive, so I can revert to the original from the “History” tab, and the second reason is to do with my work flow I always copy the images from the camera into a folder on an external hard drive, opening the image from that folder, and export the finished edit into another folder, which is a temporary folder designated as “Upload”, and I never save my edits, Luminar does by default, automatically, as it has a inbuilt Luminar catalogue file. My edited images are always manually uploaded, from the “Upload” folder to cloud based storage away from the computer, using Smugmug, Amazon Photos, Google Photos, and Apple Photos. 


Personally, I use the Affinity editor, as well as the Luminar AI software. I have found the “Tone Mapping” persona in Affinity very useful, as some of you will have seen in my tutorial of editing a train at the platform. In Luminar AI I will sometimes use the supplied templates to edit an image with just a couple of clicks, saving lots of work. Affinity, and Luminar AI also have the option of creating personal adjustment pre-sets, or templates to save and use on a set of images. Recently I returned from a model photo shoot with over 200 images, all shot in the same lighting conditions, with the same camera lens combination. After selecting the first image and cropping / tidying, I applied one of the portrait templates which very nearly matched what I wanted the image to look like, I applied a couple of fine adjustments to the template, then saved the template as my personal template, and was able to apply this to all 47 images that I selected for keeping and sharing with the model, saving a lot of time, and giving a consistent “look” to all of the edited images.

I have included before, and after images of two barges entering a lock on the River Lee Navigation, shooting the scene as I did on the lock gates was unavoidable, so, the first task in Luminar AI was to correct the verticals, next cloning out the unwanted details in the water, editing this image manually was very difficult trying to keep detail in the sky, and in the water. After a frustrating time, I applied an AI template, and the image just “popped” with improved detail in the water, while retaining the sky detail, I was massively impressed.

Louth Photographic Society

by Derek Smith 1 May 2025
We held a PDI Competition last night with the categories of “Local Events”, (the “Local” designation applies to any photograph taken within a 25-mile radius of St. James Church, Louth) and “Open”. Our own Graham Harrison was the judge for the evening, and he did a sterling job of selecting the top three highest placed images in each category. All the results of the competition can be viewed on our Competition webpage. I want to take a moment to praise the work of our Competition Secretaries, Dave Turner is the Print Secretary, he collects, collates the submitted competition prints, and produces the score sheets, he also submits club entries into the LPA Fosters competition, and the LPA Battles for members. Harry Kerman is our PDI Secretary, he receives submitted digital images usually via WeTransfer, collates the entries, produces the score sheets, and presents the images on the competition evening, as he did last night. Our Society would be much poorer without the hard work and dedication of these two individuals. It would be a real help to both Competition Secretaries if you could pay attention to the titles of your submitted entries, in the topic categories a judge must be guided by the title, as well as the image to evaluate whether the image meets the topic criteria. Our next PDI competition has the topic of “Seasons”, carefully choose both the image and the appropriate title to help the judge. It seems a shame to put a lot of hard work into taking a photograph, editing the image, and submitting the entry, only to lose points because your image did not meet the criteria. I would also encourage you to join our outings in June, it’s where we can socialise, and learn from other members how to use our cameras and gain some composition tips. This photo of an Orb Weaver spider taken at Chambers Farm Wood, from last year, is an example of what can be achieved on our outings.
by Graham Harrison 27 April 2025
Good Morning All Last week at the club Derek Smith kindly organised a studio night for us all, it was a very successful evening with Derek providing all the lighting, backdrops, and booking the model. Thank you, Derek, for all your hard work organising the evening. This week, Wednesday 30th April, we are holding a local PDI competition, with the categories of "Local Events" and "Open", you have until midnight tonight to get your entries to Harry. The local is always judged by members and this week you have yours truly judging. The following week it is that time of year already when we hold our AGM and presentation night. If any members have trophies to hand in, this week please. The week after the AGM it is the first monthly PDI competition of our new competition year, Seasons and Open, you can begin sorting out your entries for that one as well now and send them to Harry after this Monday to avoid confusion. Regards Graham
by Derek Smith 25 April 2025
Our “Studio Night” was held last night, this is an annual event, with a model being on hand for members to practice portrait, and fashion photography. This year, I wanted to try something a little different, with two sets positioning a model at one end of the room for the fashion shoot, and another set for portraits at the opposite end of the room. I tried booking a male model, and a female model for the shoot with a casting call on my usual modelling site, initially gaining interest from one male model, but unfortunately, he had to drop out. Re-advertising the shoot, yielded a female model from Rugby, and a male model from London. Where were all the Lincolnshire models? I pulled up a list of Lincolnshire models, and directly messaged several, without any response, until just 3 days before the event a female model under the name of Dahlia_Void (Megan) from Grimsby, responded and the “Studio Night” was on. Our very own talented Paul Rudd agreed to model for us, and both models did a superb job. I believe that the “Studio Night” was a success, with members seemingly able to take some excellent images of both models. Importantly, there didn’t seem to be a lot of waiting around for members to take their shots, and the models appeared relaxed. Megan was a little star, being very patient while we pointed cameras at her.
by Derek Smith 22 April 2025
As a photographer, do you have a “style”? That’s a question that I’ve struggled with over many years. However, now that I think over what it is that makes me a photographer, I realise that being out with my camera brings me a lot of satisfaction, and none more so than working with models. My “style” if you can call it that, is encapsulated in what I call my “walkie / talkie” location shoot, which I’ve embraced for the last six years. I arrange to meet up with a model, male or female in a location, it may be a town, city, nature reserve, or a park. We walk around the location, chatting away until we find a suitable spot for a photo, I take a couple of photos then move on to the next location. The idea of this type of shoot is not to create the “picture perfect” portrait, but rather to capture a moment, some part of the model’s character. Travelling light, one camera, one lens, no reflectors, no lighting, just natural light, and a natural background. This “style” is perhaps more akin to street photography, but with a dedicated model. Here’s a sample of some of my favourite images from my “style” of photography.
by Graham Harrison 20 April 2025
Good Morning All We have just come back from a week in Northumberland, staying at Newbiggin by the sea. I took plenty of coastal photographs including many of the area's wildlife. Last week while I was away it was the monthly print competition. There is a blog on the website as well as all the results on the competition page. I really just need to congratulate Dave Turner who won both the subject and Open competition. I am not sure if Wednesday night's studio evening is going ahead yet but will let you know. Entries for the local competition, Local Events and Open need to be sent to Harry by midnight next Sunday. We judge this competition in house; I am happy to judge one subject if anyone else would like to judge the other subject? Regards Graham
by Derek Smith 17 April 2025
We held a print competition at our meeting last night with the categories of "Curves" and "Open". Our judge for the evening was the very competent, and accomplished Diane Seddon. Diane gave excellent critique of the prints, and one of the main themes that Diane highlighted was the presentation of the prints, siting print sizes, mount sizes, mount colours, and more thoughtful cropping of images selected for printing. Definitely food for thought, and addressing those issues will improve members points scoring in future competitions. All the prints submitted into this competition were of a very high standard, however, it was Dave Turner who swept the board with 1st, and 2nd placing in the "Open" category, and 1st, 2nd, and 3rd placing in the "Curves" category, it was a well deserved placing with some stunning prints. The Competition page of our website has been updated with the full results. Thanks to Diane Seddon for judging the competition, and Dave Mann for the refreshments.
by Derek Smith 13 April 2025
Dave Turner, and I attended the LPA Fosters Challenge at Nettleham. The judge for the competition was Sue Wilson from Clay Cross. Axholme took first place with 19 points, Grimsby 2nd, and Cleethorpes 3rd. Louth was awarded 13 points, consisting of: Damselflies Mating – Graham Harrison 4pt Saltwick Bay – Tony Gaskins 4pt The Thinker – Keith Rossington 3pt Muted Swan – Harry Kerman 1pt Pier Number 9 – Dave Turner 1pt It was an interesting competition with some amazing images, a big thank you to Dave Turner for selecting the prints and submitting our entry into the competition.
by Graham Harrison 13 April 2025
Good Morning All Last week at the club member Chris Birchmore took us back in time with old photographs and a very interesting talk on one of Louth's old shops Platts stores. Platts stayed traditional for many years but as like most of the old shops eventually disappeared along with it's upside down sign. There is a blog on our website as well to look at. This week, Wednesday 16th April, we will hold our Print competition with the categories of "Curves" and "Open" to be judged by Diane Seddon of Cleethorpes. Harry is also now taking entries for the local PDI competition, with the categories of "Local Events" and "Open". Regards Graham
by Derek Smith 10 April 2025
Our member Chris Birchmore gave an illustrated talk last night titled "The Shopkeeper and his Assistant". Chris related details of his family origins, and family history in Louth, in particular his connection with Platts Provision Store in Eastgate. It was a very interesting talk which evoked many memories with those members who had themselves been raised in Louth. Many thanks Chris, the preparation, and talk was excellent.
by Graham Harrison 6 April 2025
Good Morning All With all this warm weather some insects are out and about to photograph, I took this photograph in our garden with a Sigma 105mm lens to get close in on the bee. It is another month now, so you need to think about your "Prime Time" project, if you are taking part. Last week at the club Brian McCarthy FRPS showed us his personal journey in photography, Brian takes most of his photographs in his shed building models with lighting and creating photographs that most of us would never think of. This week, Wednesday 9th April, our member Chris Birchmore who will be presenting a historical talk entitled "The Shopkeeper and His Assistant" specifically talking about a relatives memories of working for Mr. Platt the Shopkeeper. For those who have prints for the next competition, with the categories of "Curves and Open", you need to send Dave Turner a list of your entries and bring the prints in this week. Regards Graham