Choosing A Mirrorless Camera
Derek Smith • 18 February 2022
There are so many excellent mirrorless interchangeable lens cameras on the market at the moment, choosing the right camera for your needs can be quite daunting. These are my thoughts, and personal opinion on choosing a mirrorless camera.
The first choice would possibly be on sensor size; there are four to consider, medium format, full frame, APS-C (Nikon DX), and micro four thirds. Medium format sensors as used in Hasselblad, and Fuji GFX cameras are probably too “high end”, and specialised for the average photographer. Most photographers will opt for a full frame camera, or an APS-C camera. The advantage of a full frame sensor is improved dynamic range, and low light capability, the disadvantages of a full frame camera, are the larger size, weight of the lenses, and higher costs of buying those lenses. Personally for my needs an APS-C camera hits the “sweet spot” on weight, physical size and price of the camera, and lenses. Micro four thirds, is the smallest sensor used in the Olympus / Panasonic partnership cameras, I have used micro four thirds cameras since I bought my first Olympus E-PL1 in 2010, and never found the image quality lacking in any respect. Some of my best photography of late has been taken with the Olympus OM-D E-M5 iii which has been a sterling performer in all weathers, and never let me down, and the amazing Olympus E-PL7 using the 17mm f/1.8 pancake prime (34mm full frame).
Possibly the next choice would be brand loyalty, if you’ve used brand “X” for a number of years, then you might consider buying a mirrorless camera from that brand if upgrading. I believe however that rather than focus on a particular brand of camera, your choice might be better served by the camera features needed, and the choice of lenses, and the price of those lenses.
Sony produce some excellent cameras, the auto focus, and subject tracking on those cameras is first rate, however for me the APS-C A6000 range of cameras are ergonomically flawed, fine if shooting in semi automatic mode, set the ISO, and white balance to auto, the mode dial to Aperture Priority, and use the single control wheel to adjust the aperture. Choosing to shoot in Manual Mode is a different proposition entirely. Set the ISO from the menu, aperture from the control wheel on the top of the camera, and the shutter speed is adjusted by the tiny thumb wheel on the back of the camera, and it’s not possible to adjust the settings while holding the camera up to the eye!! I upgraded to the Sony A7 ii, a far better camera in my opinion, but the lens mount is too close to the handgrip, I had to squeeze my fingers in between the lens barrel on some lenses, and the handgrip, and personally I’ve never been able to see much difference between a full frame camera, and an APS-C image.
It was the ergonomics that prompted my return to the Olympus fold, even the base camera Olympus OM-D E-M10 iv has twin control dials on top of the camera, and can be bought new, as a kit, from under £800. Olympus, and Panasonic have over 100 lenses to choose from, with the micro four thirds mirrorless cameras having been in existence since Panasonic produced the G1 in 2008, followed by the Olympus E-PL1 in 2009.
My choice of camera system was based on my change of needs. My workflow had markedly changed, I now predominantly shoot in RAW, and edit the images, but I also liked to shoot in JPEG to share on social media, and a single SD card meant that I had to separate out the RAW images, and the JPEG images when loading onto the computer, which slowed my workflow down. I therefore needed to have two SD card slots, I also wanted to have a joystick to control the focus point, and the camera must be weatherproof. My immediate upgrade path would have been to the Olympus OM-D E-M1 iii, but I felt like a change.
Canon make some excellent cameras, I looked at the M mount APS-C cameras, but currently a poor range of lenses, no weatherproofing, and no dual card slots, the Canon RP is a great camera but no dual card slots.
Nikon next, I like the Z50, but again with only two lenses for the APS-C (Nikon DX), I seriously considered the Nikon Z5, dual SD card slots, weatherproofing, and IBIS, however it was the lens choice, and cost of lenses, that determined my rejection of this choice.
Sony wasn’t even a consideration, due to the ergonomics, but the lens choice, and image quality are outstanding, apart from the dust spots on the sensor which is a common problem on Sony cameras.
Panasonic S5, I nearly bought this, my finger hovered over the “buy now” button, especially over the Christmas period when the camera body, and 20-60mm lens were on offer at £1300!!
Eventually it was the Fuji APS-C range of cameras that I was drawn to, with a choice of over 40 native lenses, the weatherproofing, dual UHS ii SD card slots, a joystick and the analogue dials on top of the camera of the X-T3 that won me over. I needed a high quality prime lens for my portraiture, and this has been filled by the excellent 35mm f/2 lens (50mm full frame equivalent). The 16-80mm f/4 constant aperture lens (24-120mm full frame) is ideal for travel, and landscape, and I have the excellent 70-300mm variable aperture lens (105-450mm full frame) for the wildlife. As a wide angle lens I have the Samyang 12mm AF f/2 prime lens (18mm full frame). The camera is reasonably small, and light, (heavier though than the Olympus), and makes a complete set with the camera body, the 16-80mm lens, and the 70-300mm lens all fitted into a small Manfrotto camera bag.
As to costs, the X-T3 body was £899 new, the 35mm lens, and the 16-80mm lens were bought second hand, and I had to buy the 70-300mm lens new at £729, as it was only introduced late last year, so the price, size, and weight of the lenses suit my needs.
The learning curve moving to the Fuji system has been fairly steep, some of the settings are inter dependent, as an example if I want to use the face / eye auto focus, then that overrides the choice of focus point, but once you know these things then it becomes easy, I’ll have the face / eye auto focus on for portrait sessions, and switch it off when shooting in other genres, and I have a function button assigned for this.
Louth Photographic Society

We held a PDI Competition last night with the categories of “Local Events”, (the “Local” designation applies to any photograph taken within a 25-mile radius of St. James Church, Louth) and “Open”. Our own Graham Harrison was the judge for the evening, and he did a sterling job of selecting the top three highest placed images in each category. All the results of the competition can be viewed on our Competition webpage. I want to take a moment to praise the work of our Competition Secretaries, Dave Turner is the Print Secretary, he collects, collates the submitted competition prints, and produces the score sheets, he also submits club entries into the LPA Fosters competition, and the LPA Battles for members. Harry Kerman is our PDI Secretary, he receives submitted digital images usually via WeTransfer, collates the entries, produces the score sheets, and presents the images on the competition evening, as he did last night. Our Society would be much poorer without the hard work and dedication of these two individuals. It would be a real help to both Competition Secretaries if you could pay attention to the titles of your submitted entries, in the topic categories a judge must be guided by the title, as well as the image to evaluate whether the image meets the topic criteria. Our next PDI competition has the topic of “Seasons”, carefully choose both the image and the appropriate title to help the judge. It seems a shame to put a lot of hard work into taking a photograph, editing the image, and submitting the entry, only to lose points because your image did not meet the criteria. I would also encourage you to join our outings in June, it’s where we can socialise, and learn from other members how to use our cameras and gain some composition tips. This photo of an Orb Weaver spider taken at Chambers Farm Wood, from last year, is an example of what can be achieved on our outings.

Good Morning All Last week at the club Derek Smith kindly organised a studio night for us all, it was a very successful evening with Derek providing all the lighting, backdrops, and booking the model. Thank you, Derek, for all your hard work organising the evening. This week, Wednesday 30th April, we are holding a local PDI competition, with the categories of "Local Events" and "Open", you have until midnight tonight to get your entries to Harry. The local is always judged by members and this week you have yours truly judging. The following week it is that time of year already when we hold our AGM and presentation night. If any members have trophies to hand in, this week please. The week after the AGM it is the first monthly PDI competition of our new competition year, Seasons and Open, you can begin sorting out your entries for that one as well now and send them to Harry after this Monday to avoid confusion. Regards Graham

Our “Studio Night” was held last night, this is an annual event, with a model being on hand for members to practice portrait, and fashion photography. This year, I wanted to try something a little different, with two sets positioning a model at one end of the room for the fashion shoot, and another set for portraits at the opposite end of the room. I tried booking a male model, and a female model for the shoot with a casting call on my usual modelling site, initially gaining interest from one male model, but unfortunately, he had to drop out. Re-advertising the shoot, yielded a female model from Rugby, and a male model from London. Where were all the Lincolnshire models? I pulled up a list of Lincolnshire models, and directly messaged several, without any response, until just 3 days before the event a female model under the name of Dahlia_Void (Megan) from Grimsby, responded and the “Studio Night” was on. Our very own talented Paul Rudd agreed to model for us, and both models did a superb job. I believe that the “Studio Night” was a success, with members seemingly able to take some excellent images of both models. Importantly, there didn’t seem to be a lot of waiting around for members to take their shots, and the models appeared relaxed. Megan was a little star, being very patient while we pointed cameras at her.

As a photographer, do you have a “style”? That’s a question that I’ve struggled with over many years. However, now that I think over what it is that makes me a photographer, I realise that being out with my camera brings me a lot of satisfaction, and none more so than working with models. My “style” if you can call it that, is encapsulated in what I call my “walkie / talkie” location shoot, which I’ve embraced for the last six years. I arrange to meet up with a model, male or female in a location, it may be a town, city, nature reserve, or a park. We walk around the location, chatting away until we find a suitable spot for a photo, I take a couple of photos then move on to the next location. The idea of this type of shoot is not to create the “picture perfect” portrait, but rather to capture a moment, some part of the model’s character. Travelling light, one camera, one lens, no reflectors, no lighting, just natural light, and a natural background. This “style” is perhaps more akin to street photography, but with a dedicated model. Here’s a sample of some of my favourite images from my “style” of photography.

Good Morning All We have just come back from a week in Northumberland, staying at Newbiggin by the sea. I took plenty of coastal photographs including many of the area's wildlife. Last week while I was away it was the monthly print competition. There is a blog on the website as well as all the results on the competition page. I really just need to congratulate Dave Turner who won both the subject and Open competition. I am not sure if Wednesday night's studio evening is going ahead yet but will let you know. Entries for the local competition, Local Events and Open need to be sent to Harry by midnight next Sunday. We judge this competition in house; I am happy to judge one subject if anyone else would like to judge the other subject? Regards Graham

We held a print competition at our meeting last night with the categories of "Curves" and "Open". Our judge for the evening was the very competent, and accomplished Diane Seddon. Diane gave excellent critique of the prints, and one of the main themes that Diane highlighted was the presentation of the prints, siting print sizes, mount sizes, mount colours, and more thoughtful cropping of images selected for printing. Definitely food for thought, and addressing those issues will improve members points scoring in future competitions. All the prints submitted into this competition were of a very high standard, however, it was Dave Turner who swept the board with 1st, and 2nd placing in the "Open" category, and 1st, 2nd, and 3rd placing in the "Curves" category, it was a well deserved placing with some stunning prints. The Competition page of our website has been updated with the full results. Thanks to Diane Seddon for judging the competition, and Dave Mann for the refreshments.

Dave Turner, and I attended the LPA Fosters Challenge at Nettleham. The judge for the competition was Sue Wilson from Clay Cross. Axholme took first place with 19 points, Grimsby 2nd, and Cleethorpes 3rd. Louth was awarded 13 points, consisting of: Damselflies Mating – Graham Harrison 4pt Saltwick Bay – Tony Gaskins 4pt The Thinker – Keith Rossington 3pt Muted Swan – Harry Kerman 1pt Pier Number 9 – Dave Turner 1pt It was an interesting competition with some amazing images, a big thank you to Dave Turner for selecting the prints and submitting our entry into the competition.

Good Morning All Last week at the club member Chris Birchmore took us back in time with old photographs and a very interesting talk on one of Louth's old shops Platts stores. Platts stayed traditional for many years but as like most of the old shops eventually disappeared along with it's upside down sign. There is a blog on our website as well to look at. This week, Wednesday 16th April, we will hold our Print competition with the categories of "Curves" and "Open" to be judged by Diane Seddon of Cleethorpes. Harry is also now taking entries for the local PDI competition, with the categories of "Local Events" and "Open". Regards Graham

Our member Chris Birchmore gave an illustrated talk last night titled "The Shopkeeper and his Assistant". Chris related details of his family origins, and family history in Louth, in particular his connection with Platts Provision Store in Eastgate. It was a very interesting talk which evoked many memories with those members who had themselves been raised in Louth. Many thanks Chris, the preparation, and talk was excellent.

Good Morning All With all this warm weather some insects are out and about to photograph, I took this photograph in our garden with a Sigma 105mm lens to get close in on the bee. It is another month now, so you need to think about your "Prime Time" project, if you are taking part. Last week at the club Brian McCarthy FRPS showed us his personal journey in photography, Brian takes most of his photographs in his shed building models with lighting and creating photographs that most of us would never think of. This week, Wednesday 9th April, our member Chris Birchmore who will be presenting a historical talk entitled "The Shopkeeper and His Assistant" specifically talking about a relatives memories of working for Mr. Platt the Shopkeeper. For those who have prints for the next competition, with the categories of "Curves and Open", you need to send Dave Turner a list of your entries and bring the prints in this week. Regards Graham