Choosing A Mirrorless Camera
Derek Smith • 18 February 2022
Going Underground
Photo By: Derek Smith - Olympus E-PL7
Puffin
Photo By: Derek Smith - Olympus OM-D E-M5 iii
Flamborough Head Stack
Photo By: Derek Smith - Fuji X-T3
Fuji - Twin Lens Kit
Photo by: Derek Smith
There are so many excellent mirrorless interchangeable lens cameras on the market at the moment, choosing the right camera for your needs can be quite daunting. These are my thoughts, and personal opinion on choosing a mirrorless camera.
The first choice would possibly be on sensor size; there are four to consider, medium format, full frame, APS-C (Nikon DX), and micro four thirds. Medium format sensors as used in Hasselblad, and Fuji GFX cameras are probably too “high end”, and specialised for the average photographer. Most photographers will opt for a full frame camera, or an APS-C camera. The advantage of a full frame sensor is improved dynamic range, and low light capability, the disadvantages of a full frame camera, are the larger size, weight of the lenses, and higher costs of buying those lenses. Personally for my needs an APS-C camera hits the “sweet spot” on weight, physical size and price of the camera, and lenses. Micro four thirds, is the smallest sensor used in the Olympus / Panasonic partnership cameras, I have used micro four thirds cameras since I bought my first Olympus E-PL1 in 2010, and never found the image quality lacking in any respect. Some of my best photography of late has been taken with the Olympus OM-D E-M5 iii which has been a sterling performer in all weathers, and never let me down, and the amazing Olympus E-PL7 using the 17mm f/1.8 pancake prime (34mm full frame).
Possibly the next choice would be brand loyalty, if you’ve used brand “X” for a number of years, then you might consider buying a mirrorless camera from that brand if upgrading. I believe however that rather than focus on a particular brand of camera, your choice might be better served by the camera features needed, and the choice of lenses, and the price of those lenses.
Sony produce some excellent cameras, the auto focus, and subject tracking on those cameras is first rate, however for me the APS-C A6000 range of cameras are ergonomically flawed, fine if shooting in semi automatic mode, set the ISO, and white balance to auto, the mode dial to Aperture Priority, and use the single control wheel to adjust the aperture. Choosing to shoot in Manual Mode is a different proposition entirely. Set the ISO from the menu, aperture from the control wheel on the top of the camera, and the shutter speed is adjusted by the tiny thumb wheel on the back of the camera, and it’s not possible to adjust the settings while holding the camera up to the eye!! I upgraded to the Sony A7 ii, a far better camera in my opinion, but the lens mount is too close to the handgrip, I had to squeeze my fingers in between the lens barrel on some lenses, and the handgrip, and personally I’ve never been able to see much difference between a full frame camera, and an APS-C image.
It was the ergonomics that prompted my return to the Olympus fold, even the base camera Olympus OM-D E-M10 iv has twin control dials on top of the camera, and can be bought new, as a kit, from under £800. Olympus, and Panasonic have over 100 lenses to choose from, with the micro four thirds mirrorless cameras having been in existence since Panasonic produced the G1 in 2008, followed by the Olympus E-PL1 in 2009.
My choice of camera system was based on my change of needs. My workflow had markedly changed, I now predominantly shoot in RAW, and edit the images, but I also liked to shoot in JPEG to share on social media, and a single SD card meant that I had to separate out the RAW images, and the JPEG images when loading onto the computer, which slowed my workflow down. I therefore needed to have two SD card slots, I also wanted to have a joystick to control the focus point, and the camera must be weatherproof. My immediate upgrade path would have been to the Olympus OM-D E-M1 iii, but I felt like a change.
Canon make some excellent cameras, I looked at the M mount APS-C cameras, but currently a poor range of lenses, no weatherproofing, and no dual card slots, the Canon RP is a great camera but no dual card slots.
Nikon next, I like the Z50, but again with only two lenses for the APS-C (Nikon DX), I seriously considered the Nikon Z5, dual SD card slots, weatherproofing, and IBIS, however it was the lens choice, and cost of lenses, that determined my rejection of this choice.
Sony wasn’t even a consideration, due to the ergonomics, but the lens choice, and image quality are outstanding, apart from the dust spots on the sensor which is a common problem on Sony cameras.
Panasonic S5, I nearly bought this, my finger hovered over the “buy now” button, especially over the Christmas period when the camera body, and 20-60mm lens were on offer at £1300!!
Eventually it was the Fuji APS-C range of cameras that I was drawn to, with a choice of over 40 native lenses, the weatherproofing, dual UHS ii SD card slots, a joystick and the analogue dials on top of the camera of the X-T3 that won me over. I needed a high quality prime lens for my portraiture, and this has been filled by the excellent 35mm f/2 lens (50mm full frame equivalent). The 16-80mm f/4 constant aperture lens (24-120mm full frame) is ideal for travel, and landscape, and I have the excellent 70-300mm variable aperture lens (105-450mm full frame) for the wildlife. As a wide angle lens I have the Samyang 12mm AF f/2 prime lens (18mm full frame). The camera is reasonably small, and light, (heavier though than the Olympus), and makes a complete set with the camera body, the 16-80mm lens, and the 70-300mm lens all fitted into a small Manfrotto camera bag.
As to costs, the X-T3 body was £899 new, the 35mm lens, and the 16-80mm lens were bought second hand, and I had to buy the 70-300mm lens new at £729, as it was only introduced late last year, so the price, size, and weight of the lenses suit my needs.
The learning curve moving to the Fuji system has been fairly steep, some of the settings are inter dependent, as an example if I want to use the face / eye auto focus, then that overrides the choice of focus point, but once you know these things then it becomes easy, I’ll have the face / eye auto focus on for portrait sessions, and switch it off when shooting in other genres, and I have a function button assigned for this.
Louth Photographic Society
Summer is here at last, maybe?
Last night a few of our members had an outing to Old Bolingbroke village. Initially visiting the Lincolnshire Wildlife Reserve of Sow Dale, off Spilsby Hill at the village entrance, I was a little hesitant at first at entering the reserve because of the grazing cattle. When the cattle herd moved up the hill we climbed over the stile and entered the reserve, as we began to take some photos around the reserve though, the herd returned, but seemed quite docile. Later in the evening we moved on to Bolingbroke castle, and took several photos of the castle, fauna, and flora. It was a lovely evening, good to get out with cameras, and socialise with others.
Good Morning All Last week I went to the Lincoln cathedral to see Queen by candlelight, a great night of music and some different lighting in the cathedral. Last week at the club we held our 1 st round of the LPA Battles against Grimsby and Scunthorpe. Members from the two other clubs attended making it a very full room with some excellent photography on show. Scunthorpe won on 255 points, Louth 2 nd with 250 points and Grimsby 3 rd with 245 points. This week there is a 2 nd round LPA Battle at Grantham on Tuesday evening, if any member wants to attend, please contact me for more details. We did decide to have an outing on Wednesday 10th June, I had thought of Donna Nook, but Derek has come up with another idea, Sow Dale and if time permits Bolingbroke Castle both out Horncastle way. Derek is going to see if it's worth visiting Sow Dale and will let us know. Don't forget to send your print titles to Dave Turner. Regards Graham
It was the LPA Battles last night, with Louth hosting Scunthorpe, and Grimsby. Diane Seddon was the judge for the evening, and gave excellent critique of all the the prints presented to her from the three clubs. Our club room was packed with our members, and representatives from Scunthorpe, and Grimsby clubs. At the break the points scores appeared fairly evenly matched. However, it was the highest scoring prints that swung the competition in favour of Scunthorpe, their still life prints of "Sunflowers", and "Weights and Measures" scored 20 points each, taking their cumulative score to a winning 255 points. None of Louth's prints achieved 20 points, but ended with a respectable 250 points. Grimsby produced some strong prints, "The Road to Talmont", and "What's Your Name?" received 20 points each, their overall score was 245 points. As Diane Seddon said the submitted print entries were of a very good standard, resulting in a closely matched contest. Congratulations to Scunthorpe for securing the lead in this LPA Battle round contest.
Good Morning All I did go to Chambers wood last week, not too much around but the Marsh Fritillaries are back again in the meadow. We had a good turnout for the meal on Friday, hope you all enjoyed it, thank you to my partner Jane for organising all the food orders. Everything went to plan until the chef dropped the roulade, hopefully your replacement was just as good. This week we have our first round of the LPA Battles against Grimsby and Scunthorpe. The judge for the evening is Diane Seddon. There should be a good turnout for this one with the other two clubs attending. The print competition with the categories of "Trees" and "Open" is to be held on the 24th of June, please email Dave Turner your titles and then bring your prints in on the night. Regards Graham
It’s been a fairly mundane May photography wise for me. I’ve visited Gibraltar Point, Messingham Sand Quarry, and Far Ings nature reserves, and taken some reasonable photos, but nothing really competition quality. The West Lindsey Open Churches Festival has been on for a couple of weekends, and I climbed the bell tower at St Peter, Scotter, had lunch at Kirton in Lindsey, and dropped in on a couple of churches in Caistor. My model photography has taken a back seat, I’ve not had a model shoot all of this month, I’ve had enquiries from a couple of models that I’ve worked with before, but not been able to arrange anything. Instead, I’ve been concentrating on wildlife, landscapes, and insect photography. My OM Systems cameras have been with me every day, the OM-5 is my daily carry, and the OM-1 is my heavy hitter, especially with the OM 100-400mm lens, or the 12-40mm f/2.8 Pro lens. I’m continuing to take images for the “Water” project, that’s one image of water for each month, providing twelve images to show on “Project Night” in January 2027. The May photo is an indoor creative image taken on a wet day. The trees, and horses were taken at Gibraltar Point, the Heron, and swans were at Messingham Sand Quarry.
Good Morning, All, Last week at the club we held our monthly competition, a PDI competition, with the categories of "Landscapes with Water" and "Open", there was a very good entry with a high standard of photography. Congratulations go to Tony Gaskins for 1 st place in the Landscapes with Water and Paul Twomey for 1 st place in the Open. The results are on our website with the winning images. This week there is no meeting on Wednesday as it's our annual meal on the Friday. For those attending it's at the Royal Oak (Splash) Little Cawthorpe, to meet up around 7pm for meal at around 7.30pm. For those doing the water project, it's getting towards the end of the month if you haven't already taken your photograph. Regards Graham
We held a PDI (Projected Digital Image) competition last night with the categories of "Landscapes with Water" and "Open". Our judge for the evening was the highly experienced Jorj Malinowski, and his skills were very much needed in judging the 33 quality images in the "Landscapes with Water", this almost monochrome blue atmospheric image of an approaching storm on the Isle of Harris was taken by Tony Gaskins, and deservedly was judged to be 1st in the competition. After the much needed break, Jorj judged the 26 images in the "Open" category, Jorj held 7 images back for further consideration, and to award for higher points, following a process of elimination Jorj was left with 3 images, he awarded 20 points to each of the 3 remaining images, that left the cliff hanger moment when he had to decide the 1st, 2nd, and 3rd places. When you have 3 exceptional images of different subjects how do you chose? After what seemed like minutes it was the Blue Wildebeast Migration by Paul Twomey that took first place. It was an amazing evening with some impressive images, thanks to our judge Jorj, and well done to all the photographers who entered the competition, and Dave Mann for the refreshments.
Good Morning All Last week we had an excellent speaker on the Lincolnshire coast, Steve Dixey. Steve showed us his photographs taken at all times of the day and night, many early morning, Steve also gave tips on safety and helpful information regarding our local coastline. There is a full report on our blog page. This week, Wednesday 20th May, we are holding a PDI competition, I did try and confuse you with the wrong subject, but you were having none of it, so the categories are "Landscapes with Water" and "Open", all entries are in and scoring sheets have been sent out. I considered this photograph I took in the dales, but thought the water was too burnt out. Our next competition to be held on the 24th June, is prints with the categories of "Trees" and "Open", we are out and about prior to this competition so if you can send an email with the titles to Dave Turner as usual, you can bring prints in this week or on the night of the competition itself. Thank you I have all your meal choices for the annual dinner. Regards Graham
Our speaker last night was Steve Dixey who specialises in coastal photography. Steve showed some incredible photos, during his immersive, and engaging talk. Apart from the stunning images, three things stood out for me from his talk; the first is you don’t need the latest camera to take great images, Steve’s older Fuji camera has stood the test of time and produces excellent image quality. There are photographers who chase after the latest camera gear in the hope that it will make them a better photographer, thankfully not in our Society. The second thing that I noticed was the meticulous planning that Steve undertakes before venturing out onto the beach, noting the weather, tide times, sunrise / sunset, and moonrise / moonset. Steve uses maritime maps to determine the best locations along the Lincolnshire, and Yorkshire coast. As with any photography there is an element of luck, but the planning will get you 90% there, one of his coastal photos included a view of a beach lit by the moon, and a passing cloud had lightly obscured the brightness of the moon creating a lovely atmosphere. Thirdly, and perhaps this is the most important is his personal safety. The coast is an extremely dangerous environment, some people wander out onto sandbanks in trainers, and shorts oblivious to the tide circling in behind them especially at Cleethorpes. Steve ensures his safety by selecting correct clothing, wellington boots, or waders, he also has a GPS scanner, and emergency beacon, he is essentially a “lone worker” on an isolated beach in the small hours of the morning, or late at night, so much better to be safe than sorry. Steve produces several publications, and is able to provide guided coastal walks, for more information his email is: hspadventures@protonmail.com, and there’s a website: https://stevedixeyimages.wordpress.com/ Many thanks Steve for an excellent presentation.
